(DEFAMED)

OH MY GAWD!! What the fuck. To say I was side-swiped with this song is the biggest understatement of the fucking year. After reviewing a handful of his shit already, I thought I had him figured out, and this track proves I couldn’t be more wrong! Let’s talk about this hidden gem! 

This is the latest track by MC AU, produced by King Oseaun, and features D-DON for a one-of-a-kind 2 minutes and 44 seconds that I guarantee you won’t be able to forget!

We have to address the elephant in the room: THAT PRODUCTION! When I clicked on this song, I legit went back in my seat and gasped when I found out I hadn’t, in fact, clicked the wrong song! This shit is absolutely nuts in the best way possible!

This song has a very strong dubstep meets drill sound to it! Similar to a song like ‘Skrillex-Rumble’, but this being its own original thing!

It’s got this build-up mechanical sound that goes silent for about 5 seconds before the build-up is met with this ridiculously heavy and powerful techno/dubstep mechanical sounds that vary in tones and pitches depending on which part of the song you’re on!

Along with the heavy-ass bass, we have a track that will make you feel the room is moving once you take the headphones off! 

Eat your heart out, Skrillex. This shit goes WAY TOO HARD! It’s brash, impulsive, noise-inspired, and a party in the headphones! The complete experience for someone like me! Plus, I love that chorus like 

‘I’m smoking on shit that might re-code your DNA’ in that drone, repetitive trance that has me hypnotised from ear to ear! Absolutely fantastic instrumental!

Now, as far as I can tell, AU acts as more of a hype man and build-up artist for the track. We hear him on the chorus and at the start as he helps build to AU’s dominating verse, and I feel him having a ‘DJ Drama’ or ‘Lil Jon’ effect, which is sick because we don’t normally get that anymore, and I mean he does have his own bars, but I still feel they are, in essence, used to amp up the arrival of the main MC.

D-DON The man of the hour. This guy comes in, in the most nonchalant way possible, contemplating whether he should even pick up the mic to begin with, then just goes ‘fuck it’ and starts spitting one of his most free-lance, fast-paced, and explosive verses I’ve heard him on yet!

As he’s proven his adaptability is second to none as he finds a way to perfectly adapt to his incredibly complex and difficult production choice with ease!

His bars are hard, his flow incredible, and the way he’s able to spit just a small verse that is that colourful and intricate speaks volumes to his talent as a rapper!

This ain’t like any other track you’ll hear all year (I promise you that), and I encourage everyone to give this one a shot immediately! 

https://open.spotify.com/track/6ReG162NkQGHOVfuYJ6Maj?si=rCrdVjAeQpu66XKCXlQeJA