(MNBII)

We are so back! With not only a highly anticipated release but a sequel! This is a record that got me hyped as soon as I heard the single that dropped recently, and ever since this project became one of my most anticipated, and it’s finally here! So YES YES, let’s not waste any more time and get into it!

This is the brand-new album by MC FLYG and producer Drega33, and together they are responsible for eight solid tracks running just under 20 minutes in length!

This record, I gotta say, kicks things off with a bang! That intro track was fucking incredible! I loved that soulful vocal loop with those sharp synth keys and light drums and what sounds like a short burst of a flute sound.

Either way, this track has the perfect blend of smoothness, elegance, and delicate rhythm that took over me!

As the songs go on, we get nothing but bangers after bangers with production such as ‘GO@T’ which has an almost ‘surf rock’ vibe to it with those plucked electric guitar strings, organ sounds, and that soulful vocal sample (in a male’s voice this time) to create an aura-filled track that feels like a sonic stress relief pill!

You’ve got tracks like ‘CMBKHM’ which has a more classical 1960s vibe to it. From that old-school vocal sample to those humming sounds, subtle plucked strings, methodical drums, and those intricate keys!

This song feels like a peaceful walk through the local forest on a perfect day with a blue sky! 

There seems to be a habit of structure across this project with the production. Soothingly structured beats with classic vocal snippets and minimal layers to fully utilise the ‘less is more’ practice, and no one does that better than Drega33! 

Of course, that man is only HALF of the equation. The other half is my main man FLYG. If I thought he sounded good before, he outdoes himself yet again with a record of performances that rival anything he’s done or anyone has in 2025! 

Across this album, he gives his lyrical assault the updated ‘bloodlust’ difficulty as he spits sharp bar after bar that feels like verbal fatalities across the beat, targeting each critical piece of the beat and leaving a lasting impression on every single second of the songs!

His art of one-liners goes above and beyond. If you sat there with pen and hand and tried to write out all his clever puns and set-up lines, you’d need a whole textbook of blank pages to try to memorise everything! He’s a man who never settles for the basic shit; sometimes, he’ll set up four different bars to full circle the fifth in crazy pay-off verses!

One thing he does a lot on this record that I love is his more freelance, studio-talking segments he does towards the end of the songs! It makes me believe he’s becoming more and more comfortable with his sound and adapting his style that he’s dropping these ridiculous bars and then flexing about how good they were! (And rightfully so.)

Another aspect I love is the zero features. Not that he doesn’t collaborate well with other people (his previous four-track EP with Ant Kelly was absolutely ridiculous! Plus his feature with King Androit among others solidifies his chemistry with the underground.) 

BUT nothing proves quality and longevity than a man who is confident in his own ability and pen game to rock a whole project with just himself, and that’s exactly what happened here!

Another fantastic effort by FLYG and Drega33. A duo that can’t take an L if they tried! This is definitely a record I want you all to click below and feel that magical synchronicity that only they can make!

https://open.spotify.com/album/3ebd0KE8w9CMTZboC4JQ1T?si=9qBlmh_0RVOxaZc05tRfug