(DOLLA $IGN DIARIES)

I’ve counted many blessings in my career so far. From the support I’ve gained to the volume of artists willing to come to me for reviews to the growth I’ve experienced in just under a year’s time, but I’d count the opportunity to listen to this physical-only drop for a Serpent Tongue exclusive among my top honours, and with that, I’ll be persuading you, the audience, as to why not only has this duo not missed a beat, but somehow grown in their time apart. Let’s talk about it!

This is the brand-new limited edition album by one of the most powerful and influential collaborators of the modern era.

MC and Umbrella soldier, returning to the scene, Mickey Diamond! And of course, accompanying him is one of the most iconic producers we’ve come across in the last decade, Easy Big Ghost Ltd! Together, they reunite for another modern-day classic continuity from their legendary ‘Gucci Ghost’ series.

8 tracks, 24 minutes, and some of the most mind-blowing music I’ve heard all year, and that’s saying a lot. 

Across this album, this feels like the natural sequel to Gucci Ghost 4. As great as Gucci Gambinos was, I feel this one is superior as it’s more contained and structured to the original atmosphere of those 4 previous albums.

In the opening track (and outro), we get this theatrical take on spoken word. The intro has a preacher’s speech, while the outro has more of a thug spoken word, like a night/day ‘yin vs. yang’ mentality to it. 

Both tracks feel lively, they feel cinematic, and gospel. As if they are speaking undeniable truth that everyone needs to hear. 

From there, we get that classic Diamond X Ghost chemistry that the industry has been missing the whole year. I’m talking about that heavy bass, surreal piano keys, ridiculous drum patterns, and even a touch of sharp violin that forces you to bop your head for the entire 24 minutes uninterrupted! 

I’m sitting here writing this in a restaurant and on my third listen, and I still can’t stop moving and mean-mugging the world (that’s the effect this record has on you!)

In trademark fashion, Big Ghost presents a score that’s organic, mastered, and raw in every fabric of the score. He’s inherited the spirit of the original 4 and found a way to elevate, level up, and heighten every single aspect that made those albums memorable and raised it 10x fold.

Even in the small things like the intro to the track ‘Meet The Dealer’ where we have a snippet of a parent finding out their son is involved in illegal shit and trying to tell him about the consequences and ends with the dad yelling ‘ARE YOU LISTENING TO ME?!’ To have that be the last line before the rapping makes it feel like a sickly tale of caution to the audience!

Same said on the track ‘Plenty Of Money’ where we have an argument between a man and a woman which kicks off one of the more smooth tracks on the album with those plucked strings, soothing bass, and methodical drum patterns! This one feels more like a reflective track where Mickey can bare his thoughts and past on the song!

And it’s core, this album feels like a direct expression to Mickey’s more matured, thought-provoking, and reminiscent lyrics, and Big has crafted each song to match his mood, emotions, and mental state at the time. That level of synchronicity is beyond rare these days, and the fact we got this type of connection even after years of experience together is phenomenal.

Mickey Diamond. The man that has crafted a discography so mythical that it’s hard to believe it’s that good (but it is), and despite the endless stream of classics in his collection, this one might be his most introspective and raw lyrical performance I’ve heard from him.

Don’t get me wrong, if we are talking straight ability, he hasn’t aged a day. In fact, like a fine wine, he’s only gotten more devastating in his ability to murder a beat; his one-liners are more creative, sharp, and smooth! There’s a song on here where he weaves in a line about ‘Good Burger’ and ‘Kel Mitchell’, and it had me trying not to scream on the bus when I first heard it! 

So, when taking ability, you should slap yourself if you think he’s lost any sense of skill. BUT there are so many verses where it sounds as if he’s baring his soul, he’s telling us what has been burdening him since he’s been gone, and I haven’t heard him being that brutally honest in a while. 

Across this album, he’s blending his trademark braggadocio bars with personal revelation, and it’s in that fusion that makes his verses stand out on this one!

On his past albums, he sounded like the most charismatic and talented young and hungry MC in the game! Now he’s the Don. He’s the one calling the shots and instructing the new generation how to do this shit! 

With years, he’s matured and developed a sense of his own mortality while also continuing to confirm his rightful position as the top of the underground food chain alongside his Umbrella family, reinforcing REAL HIP HOP. And this newfound awakening of Mickey could be the most deadly form of him we’ve seen yet, and I’m excited to see what the future holds with his music!

For those who have already secured a physical, you’re in for one hell of a time! For the rest of you. All I can say is hopefully this makes it to streaming because this is one of the most complete, structured, and quality albums I’ve heard from the man yet (and yes, I mean that!) shoutout to the duo dominating the culture one album at a time! 

(The Rise Of 80)

It’s been a solid minute since I last covered this man! An artist who brought a new level of depth and creativity to his music that I really haven’t come across since. But a surprise DM later and I’m back into what is bound to be another mind-blowing experience that will live in my head rent-free for the next foreseeable future! Let’s go!

This is the brand-new record by MC Casket D. With production from the likes of 

– Bailey Daniel

– Elite (from DreamVille)

– Falak and more.

And MC credits of

– Shorts

– Oaklin Winthrop

– No-Artist

– G3NESiS

And when I say this record is special, I mean that in so many different aspects. For example, the ‘80’ in this album title is a throwback to his debut album ‘80 Loafs LP’ and a celebration of the progress he’s made from the bottom to where he is now!

As he did with the other project I covered, this album focuses on themes that are beyond the human experience. Beyond dope bangers and radio tracks, but topics of humanity, the soul, living with regret/satisfaction. Death and life, there’s so much going on in this 13-track album that it’s impossible to listen to just once without going back and catching all the subtle/complex thought-provoking lines scattered throughout the album!

Casket D. Himself presents as an author, poet, and philosopher all in one. He’s the kind of man to sit in one spot just writing his thoughts for hours and taking those unedited thoughts to the studio for the pondering of the audience! 

He’s always given me the vibe of a man who’s never content with himself or the life around him, a man who’s always plagued with eternal thoughts and feelings of that he can’t exactly shake or solve but forever theorising and calculating the act we call life itself.

Across this project, we hear his freelance flow. His permanently curious eccentricity and his complex lyricism that will always have the listeners discovering and dissecting his bars to uncover the hidden meanings! One of the most interesting and inspiring rappers we have going today, to the point that each and every track is a life-altering event rather than a simple ‘Hip Hop album’.

Like how he says in the song – Bad Fortune 

‘I foster greed that’s my specialty, free will, do what thou shall when accepting me’

Who the fuck else writes like that? That’s some Aesop Rock level complexity, and this is the kind of raps he’s using across the board! Absolutely insane!

If the raps are extraordinarily performed, then the production is the shadow of the words. As was the case with the first album, the production has the same cinematic, surreal, and atmospheric qualities to level an imprint on your mind long after the record is done!

The entire 33 minutes, I felt these goosebumps run across me due to how masterful the production was done.

I’d say this is more cohesive as a full record than it is picking and choosing random ‘hit songs’ like you would with normal records. Due to the chemistry the instrumentals have with the words, they have to be played in order to feel the full effect, and so with that in mind, I don’t really have a favourite track as the whole score is my favourite! 

I love the fact this record is scattered with skits to further enrich the sound and the human experience! This almost feels like a mental/emotional and spiritual sonic experiment! Having this kind of synchronous pairing feels like a CIA mission to see how the human soul reacts to perfectly balanced music and words!

Although this record is 33 minutes, it legitimately feels like an hour due to its depth, detail, emphasis on each instrument, the sharpness, and ambient tone of it all! Absolutely unreal.

If you’re looking for a normal album, then skip this. This ain’t for you, son. If you’re looking to expand your beliefs and understanding of life itself, then go right ahead, click on the link below, and enjoy your newly changed perspective! 

https://open.spotify.com/album/3BPhIL7P0XWjHo6XsNJh3a?si=H_la95ccT221QhqGW7v3AQ

(Legit X Rex Seshunz-Born inside A Dream)

 I feel a lot of times when artists are releasing albums or any form of music. The one thing they lose track of is ‘the artistry’. For many, it can be a stale process of habit, obligation, necessity, but losing sight of the reasons and passion that brought them to the dance to begin with. It’s with this in mind that I can sit back and rejoice in the fact that artistry is not dead with this duo and company as they release a record that’s as beautiful as it is complex. I present to you 

Legit X Rex Seshunz -Born Inside A Dream

This is the latest collaboration project between MC Legit and Producer Rex Seshunz! This record also features the likes of 

-Mix and Mastery by Fresh Kils. -Cuts by DJ Uncle Fester/DJ Lando and MC features from the names as

-Theo 3

-Daniel Son

-Gene One

-Solomon Childs

-Jinnahcide

-KDB

-Unknown Mizery

One thing I want to express my admiration for in the lyricism is the fact that Legit is the type of artist to wear his heart on his sleeve and let his convictions speak for him. Across this project, he presents one of the most authentic and charismatic performances I’ve heard all year.

His lyricism is a mix of introspective storytelling and self-confidence/bragging bars as it sounds like he’s letting both sides of him come to life on this album and showcase his verbal diversity on the songs!

On one track, he’ll blow us away with his humble, witty, and thought-provoking bars that force you to play back the verses to fully grasp and understand what he’s trying to say and the various meanings behind his bars.

Then on other tracks, he’s out here using verbal precision and pressure with his harsh, gutter talk to show his contemporaries ‘if you want to go down that route, I can do that too’ an MC with no lane closed to him and a master at all! 

What also impressed me about his approach was his mastery of the basics! It may sound obvious, but a lot of people don’t have it or learn to run before they can walk.

I’m talking about the fact he knows how to structure a verse, how to utilise his breathing, making sure the bars land in harmony with the beats, not a tick before or after but right on time! 

If there’s any other indication of his abilities, I’d say it’s the features he brought with him. Names that are dominant in their lanes from Daniel Son to ‘The Mayor of the Screwface Capital’ Theo 3 himself.

Every man a powerhouse that Legit, legitimately holds his own against and brings to life a chemistry that only truly talented names could form, and he definitely counts as one of them!

As far as the production is concerned, I just adored the combination of Rex on the beats and DJ Uncle Fester on the cuts! Both legends in their own right and both able to create classic records on their own merits, so together? It’s a guaranteed home run!

On this album, we hear a masterclass of elevated underground hip hop where each element is emphasised, vivid, and amped to new heights and stands as a new bar for the rest of the culture to follow!

You can tell the production is born and bred from years of history and brotherhood. Whether that be growing chemistry with the same artist (as this is their second album together featuring Legit X Rex)

or throwbacks to acts such as ‘Babylon WarChild’ that appear on this record. (In this case the cello being played on ‘waters course’ by Stiltz from said group!)

Its rich history helps create the present landscape of music, and it’s a factor lost on many artists today! The importance of kinship and love! 

A few cuts on this track stood out to me more than most, and those songs are: 

-Dreamz On Reset. This song is a beautifully angelic take on an underground hip hop track. You’ve got those gorgeous violin strings and those hypnotic drum beats and thick bass that all come together for a minimal yet satisfying instrumental that Legit absolutely goes off on! Also the fact of that divine xylophone on the chorus? Get outta here with that! Atmosphere building to the max!

-Water’s Course is another ridiculously good track that I found myself going back to! For example, I love those chipmunk-style vocal harmonies at the start and subtlety throughout the track. I love those delicate piano keys in the background and those in-your-face drum beats! This track is more raw and gritty compared to the first but infectious nonetheless!

Or we can even look at the song – Cauterize, which has an old-school 90’s hip-hop vibe that I absolutely adored! First of all, the scratches and cuts were elite to say the least! On top of that, there are these groovy keys in a looping motion that had my head bopping the whole song! More funky bass and some methodical drums that brought the whole song together!

As I mentioned above, ‘artistry’ is a key factor that’s lacking in both the underground and mainstream. Something more should be concerned with, and I’m glad these guys have understood the necessity of it and brought back spirit to an ever-growing soulless culture!

https://buildingwithlegit.bandcamp.com/album/legit-x-rex-seshunz-born-inside-a-dream

(Hardcore Holiday: RIP SABU)

As an ECW stan, it makes me happy to know this isn’t even the first Sabu dedication I’ve covered over the year! To know so many people respected and were inspired by the homicidal, genocidal, suicidal maniac SABU! And in saying, we gather back with a single that is sure to be one of the most powerful and inspirational singles regarding this man and his legacy. I present to you

HARDCORE HOLIDAY

Brand new single by MC/Wrestling fanatic Teek Hall! A man whose lyrics are one that seems more often than not to suit my own due to his many wrestling references!

On this track, he’s accompanied by acclaimed producer SPGBamm, a man I’ve covered a handful of times of the year and one I’ve never been disappointed with! 

These two men go out to create the perfect tribute track to Sabu, and I could tell after only one listen that this one was something special.

Let’s start with that production, essentially a hip hop re imagining of his classic theme song ‘Huka Blues’. 

First, we have the intro using the spoken word announcement of the passing of Sabu to kick the track off in the most respectful way possible as the beat lingers alongside the words until the passage passes and we get both the beat and Teek appear in full swing, and we hear that re imagined beat kick in with full force!

It’s so sick to hear those thudding drums over those Arabian-influenced guitar strings and those thick bass turns this already classic theme song to new heights of memorable and infectious! To me, I’d compare it to the moment Alien Ant Farm dropped their cover of ‘Smooth Criminal’. Sure, the original will always be a classic, but I can’t go back! This is that for wrestling, and I’m sure Sabu would be in the spirit world bumping this shit heavy! 

Talking about heavy shit, we got Teek Hall doing his best to honour the legacy and make the production rock, and boy does he ever! He’s straight wrestling talk all the way through, no breaks or pauses in his style, just straight bars, puns, one-liners, and dedication to Sabu!

A few of my favourite lines of his on this track:

– Kayfabe was never the code, this was real life/could have retired at any time but it ain’t feel right

– I put my life on the line in a downward spiral

– Tornado DDT through the table out of spite/a leg drop on top of a neck and it’s good night

So many incredible references scattered throughout this song! He’s in full wrestling mode and I couldn’t be happier! He brings as much intensity to the performance as Sabu did every single time he stepped into the ring! 

Crazy flow, focused wordplay, eccentric execution, he’s doing the whole nine yards on this record and the passion and heartfelt admiration of the legend can be felt in every single line in this record!

If you’re a wrestling fan of any capacity, this is a MUST LISTEN track. It’s beautifully produced and phenomenally written! As far as tribute tracks go, this is the new one to beat! Go check it out now!

https://open.spotify.com/album/7stTHLtj2LNt2SN1pxUH2k?si=VcBnfjq5RXqN1rIow2LbYg

(WATERPROOF)

Who’s ready for bars galore? That’s exactly what’s happening here! A man who has spent 2025 building himself up with a variety of projects, whether they be NARCOMIXES or original content, he’s out here being himself and not compromising for anyone, and this track proves that he’s the strongest! Let’s talk about it!

This is the brand-new single by MC Gustavo Louis and producer A U R, and together they dropped a single that’s 3 minutes and 15 seconds worth of straight verses and bars that I’m sure you’ll all love! 

Starting with the production, what we have here is a methodically charged, almost Middle Eastern-inspired, mummy soundtrack shit!

You have those light sci-fi chords in the background, those slow-paced drums, subtle bass, and every now and then you get these schizophrenic sounds that appear and disappear just as fast, that sound experimental in nature! 

A very interesting beat that feels tailor-made for an MC of Gustavo’s calibre to come in and kill, and that’s exactly what he does and more! 

As I stated above, on this track, Gustavo goes more bar-heavy than I remember hearing him previously!

He’s on his flexing, in-your-face type shit. Playing heavy emphasis on his charisma, his eccentric nature, and his bragging bars, letting the haters and detractors know exactly what he thinks of them (quite early on in the song as well). Even the notion of anyone being on his level is laughable in his eyes, and considering the year he’s had, it’s completely justified!

Across this track, we hear endless bars, puns, one-liners, set-up bars, complex lyricism, fun/drug/gun lines; he literally includes everything on this track, leaving nothing on the table!

His flow is more fluent than I’ve heard it in a minute, smooth while maintaining his enormous energy and aura state where he’s just in his element talking his shit, embracing the status he’s built from the ground up! Definitely one of (if not) the most impressive singles to date!

What a fun surprise this track turned out to be, from the insane production to the bar fest by Gustavo, this is the perfect example of hip hop at its most precise and bare. Just a dope beat and bars, what can get better than that? 

https://youtu.be/rJ3DHAWM94k?si=qPegt4mpuKekpGI7

(Six Mile Shinobi)

There is an old fable around this land. Rooted in mystery, intrigue, and most of all, fear. About a young boy, supposedly taken from birth and raised to become a deadly force unlike anything the land had ever seen or experienced.

Some say it’s merely a myth, others a made-up boogeyman to keep the youth in check. Regardless, everyone is mindful of the 

SIX MILE SHINOBI

What the world will soon find out on this fateful and bloody night is that the SIX MILE SHINOBI was a man of 20 lethal weapons, each potent enough to level a small village in terrifying circumstances. As the tales of old would describe, his bouts of massacre would take him a mere 34 minutes to achieve conquest. 

A man with a blood lust unlike any other living creature on Earth. A man solely possessed with defiance, conviction, willpower, and chaos. To be SIX MILE, babies, children, adults, and animals are all just meat to his devil eyes. 

Call it luck, fate, perhaps a punishment worse than death? I’ll let you all be the judge, but I had the chilling encounter with the actions of the Oni himself (something that didn’t go unnoticed by the man), but as a sign to spread the loathing message of terror and fear into the hearts of others, I’ve been spared to tell you about the three specific manoeuvres I saw him apply that night, the night EVERYBODY died.

  1. -Neo Zeed Plot. A man with a cunning for complex literature to possibly throw off the victims or flaunt his surprising intellect to the masses? Regardless, this was the first action he plagued upon the people.

Essentially, this was when he pulled out his dual katanas. I saw him take the stance of an Olympic runner waiting on the starting line. Back leg stretched, arching forward but with one katana placed in his mouth, the other in his left hand. As he finally decided to pounce, he leapt with immense speed and precision, gripping the second katana with his right hand and proceeded to slash the jugular of every man, woman, and child in sight! The sound of gashing gave off a sickening sound, a tune to a ‘fast-paced piano chords, aggressively looping endlessly’. The rate at which the bodies were dropping gave off the sound of drum patterns in a grotesque rhythm, thumping to the floor in an array of different directions! 

2 -Cut Off The Snake’s Head. After that display of murder, he turned his attention to another nearby village (forcing me to always keep watch of the atrocities). As I arrived in that area, he decided to pull out his giant yari! That I could have sworn (from a distance, it looked 8ft tall) in height. This giant spear was taken from his back and gripped firmly in his two hands. What came next is something that caused me to vomit on the spot in pure disgust. 

He walked casually through the village, twirling his massive yari and went about casually grinding the locals up as if with an open-bladed fan to a mouse. Upon this horrific sound, the only thing that could enter my PTSD-trauma-ridden brain was the sound of a jazz bass plucked strings. The consistency in those loops coincided with the splatter and guts bursting in cold-blooded intensity.

Once again, the remains of the bodies hitting the ground can only be reminded of a specific level of drums.

I also noticed that the remaining fearful victims sounded like synchronised screams that reminded me of high-pitched chords! 

3- Shinobi E No Kyōfu the final act of vengeance, Holocaust and death that I encountered happened at the final village within reasonable distance from the last two. Upon this occasion SIX MILE decided it was due time to unleash his branded -Kusarigama onto the stage. A weapon hailed as one of the most technically sophisticated weapons to wield but if mastered one of the most deadly.

 For this village he merely stalked the prey of the innocent civilians and one by one using equal parts sickle and spiked ball began to use his full strength to gut, cut and split the bodies in half’s, quarters and more.

Deciding to play the angel of death we shrieking sounds of sickle cutting bodies in half resembling the sound of a sharp violin or synth chord looping across a track!

When using the spiked ball, there was whiplash sounds of heads rolling, limbs exploding off of corpses that sounded eerie similar to a Jazz style drum sequence of light drum taps for softer limbs and almost the sound of plucked bass drums for the parts flying and hitting houses only to ricochet back onto the ground.

What shook me out of my brain dead position of fear was the fact he suddenly pulled out a gun for the running victims and shot them point bank in the back! The sounds of those gunshots running through the village also.

This was only 3 of his 20 styles of murder. I will live the rest of my days as a vegetable of my former self consumed by fear and anxiety as long as I will draw breath but it is my duty to pass on the message.

THE SIX MILE SHINOBI IS REAL, HE IS UPON US and GOD SAVE US ALL..

https://open.spotify.com/album/5TVl85SoQZBCeBc4jFpURk?si=oyeS0wjwQ5mZuO9lUh1Vfg

(Bangkok Dangerous 1)

In honour of the most recent comeback release by the legendary duo, I wanted to drop a surprise review for the occasion! And I figured why not go a different route and talk about the first in a different but equally important series to the ‘Gucci Ghost’ volumes and talk about the first entry into the 

BANGKOK SERIES 

This is the debut volume of the iconic ‘Bangkok’ series by MC, Icon, and notorious MC and Umbrella Collective General Mickey Diamond! In this project, accompanied by production from

-Diamond Dallas

-Quis Star

-Snotty

-Hobgoblin

-Influence

-Cise Greeny

-Body Bag Ben

-Mallori Knox

-Digitale, and features the MC’s -PostmanL and -King Arthur 

Now, this album (compared to the Gucci Ghost volumes) is that it feels a lot more surreal and drawn out in the production. There are a lot of tracks that have a slower pace, where the instrumentation can be felt and soaked into as opposed to those usual fast-paced and heavy beats to give you a quick buzz of adrenaline!

The fact that there are so many different names on production provides an interesting and diverse score of depth and variety in the influences. For example, we have tracks like -Northern Lights, which has an 80’s movie soundtrack feel to it! Like the music you’d expect to hear during a montage scene on Lethal Weapon or Bloodsport! 

You’ve got those funky piano keys, these light jazz-style drum beats, and some form of plucked string that comes in and out in an infrequent manner to give the song an extra level of depth!

There’s the track -Tiger Uppercut, which sounds like what Kimbo Slice would use as his theme song in his street fighting days! An absolutely brutal boom-bap track that’s equal parts minimal and explosive!

You’ve got these vocal film snippets that run as adlibs through the track that give the listener a quick pump of energy!

As they run through, you have these mesmerising, fast-paced piano keys in a repetitive loop and some of the heaviest drums you’ve ever heard! There’s also some ambient street noise in the background ever so subtly that adds layers of atmosphere to the song!

Even if we look at the track – Polo Jung, which sounds like a loop song you’d hear in one of those front massage parlours that is actually a criminal racket in the back like you see in the movies! This song has an Asian-sounding vocal loop that’s combined with sharp bass strings and some extremely subtle what sounds like acoustic guitar strings!

This track is interesting because there’s so much going on in the background that gives the song a hint of mystery and intrigue! One of the more ambient-style songs on the record!

With the amount of names on the production, some could expect either a messy or unfocused production, but that’s not the case! Instead, what you have is a collection of original standout instrumentals that all add substance and purpose to the record and most importantly to the chemistry with the man himself.

MICKEY DIAMOND

I can’t believe this album is five years (almost six) old by now. You wouldn’t think Mickey aged a single day. In comparison, he released the first Gucci Ghost in 2022, and this was how he rapped two years prior? Insane.

As expected, on this record, Mickey provides his legendary vocal performance with his deep-toned octaves, his sharp one-liners/puns, and his distinct eye for detailed bars and verses that level a vivid image in the listeners’ brains.

His flow is second to none; never been a man to ever fault on the mic. He spends the total of the 29

minutes spitting hot bar after hot bar, street poetry mixed with verbal slaughtering, and some of the cleanest word enunciations you’ll hear out of any artist, period!

Everything he says is clear and understandable, no mumbling, fast raps for no reason, over-the-top performances, just pure MC rapping, and he’s the best at it.

He oozes confidence and well earned bravado when he spits on the mic, he knew he was the man since day 1 and every day since he’s just telling the culture and the world ‘I told you so’ as many times as it takes to get it understood!

No matter if you heard it once or a thousand times over, Mickey’s mastery of the mic. His sharp wit and dominant presence whether alone or as a feature is always something to be in awe of. He’s the kind of man who can sell PHYSICAL ONLY drops in minutes. 

Make a comeback feel like the second coming, easily rap alongside legends like Method Man and make it look easy. 

This album and it’s series may have been one of his early stepping stones to greatness but this record just proves just like every other after that he was, is and always will be 

THE MAN TO BEAT 

https://open.spotify.com/album/6EuuagGBsUpXFsbKIv56jN?si=pFfCM1FNRZqUr2GxuwS5Mg

(DINNERWITHGAWDS)

GAWD DAMN, whenever YFI is on the beat, that song ends up smooth as fuck! It’s funny, I always forget how dope he is until I press play on his newest shit and get re-stunned all over again! He’s got that Men in Black mind-wipe effect on me! 

This is the brand-new single by MC FLYG & Producer YFI! Together, they drop a two-minute and 12-second track that is just beautiful ear to ear! And for a beat of this caliber, I’d say FLY is perfect for the cause! 

‘How does it feel to have family that hates you? Princess Di/They still wondering how that Princess died’

Are you all hearing this shit?!

Let’s start with FLYG first because, as I keep reminding the readers, he’s a man who I feel has improved the most in 2025. He’s not only a workhorse but consistent in every aspect, prolific and captivating all in one, and all that is further emphasised around this song!

Across this track, we hear him on arguably his most fly verse to date with a strong/fluent flow, fantastically timed bars, and actually, I sensed a few times I heard him pimp up his pronunciations! For example, the line where he goes ‘I’m not Austin Powers, but your definitely a mole!’ The way he said ‘ Mole’ had a slick, almost velvety feel to it! I was like ‘damn, this man is on some FLY G shit today’ (Pun intended)

But outside of that, he sounds overall more and more confident in himself and his abilities as a MC. His one-liners are more crafty and complex, his enunciations grow stronger by the track, and his charisma becomes more and more infectious with every new drop.

I’m fully expecting come 2026 that I’ll be forced to spend 10 minutes Googling each one-liner pun or set-up bar to understand his context. That’s how much he’s improving, and if this year was anything to go by, he’s going to be a BEAST in the underground.

As I mentioned in the intro, this is some FLY production by YFI! It’s got a ‘Surf Rock Meets Soul’ feel to it. You’ve got those groovy plucked strings and light drums that are combined with those light yet angelic vocal chords that have a slight choir feel to it, but as it loops through the song, it makes the song elevated as a whole! 

This is one of those beats you can listen to for hours and never get sick of!

Every time he’s in charge of a beat, he always goes the most melodic and harmony-driven route! Always passionate, lively, and organically composed! He’s another name that I feel has shown steady growth in 2025 and one that, if he keeps up the same projection, could be a massive threat in the culture!

Overall, a ridiculously solid track by both men! I can’t wait to hear the 2026 project by both men! It’s going to be one of the dopest albums of the year as this is one of the strongest singles of the month, EASY!

https://open.spotify.com/album/6UaoLl9t58XX8KznQosRra?si=rKkf5IkoTA-FoW9301ulvw

(WIZARDZ)

After covering their last EP, that’s when I first saw the hype built for this project! Ever since covering this man, I have to say I’ve been thoroughly impressed. And it seems in recent months he’s gravitated more and more towards a certain producer who has been making waves in his own right!

So with that in mind, let’s get talking about a project that features two men I fuck with heavily!

This is the brand-new album by MC AU & DJ KROOKED and produced by DJ KROOKED with features from 

-REDHANDS (Producer)

-ANT KELLY

With these two names on board, they’re out the gate running! 

One thing I’ve noticed (from both of them) is how they’ve come into their own over the years. When I discovered both of them, I would have sworn they were relatively normal artists with quality control over their content who make dope music.

BUT NOW 

They’ve flipped the script and are out here releasing some of the most out there, experimental, and innovative music we’ve heard in the underground so far! It’s in that constant push for originality that keeps me coming back to them!

Across this tape, we hear a variety of sounds and inspirations. Some aspects are slow and methodical, some gritty and raw in nature. Others are fast and furious (pun intended) with everything else in between.

You’ve got tracks like -SAM PUCKETT, the intro track that kicks this whole thing off! And on this one, we hear the example of a slow and methodically charged beat with a combination of that funky bass, wavey & plucked strings in two separate layers.

As well as this whistling-type vocal harmony that sounds angelic across the track!

We have tracks like -TRINITY, which feels a lot more atmospheric and harmonious! With a combination of those elegant piano keys, a gorgeous flute track, and what sounds like long keyboard samples with some rock and roll-style drums every now and then in a quick snippet sample!

Not to mention Ant Kelly’s verse that ends in that quirky way of him being upset the beat was cut off early! Hilarious (especially since it was his main man KROOKED who would have cut him off).

Another track is -CLIFFORD, which is the outro track and I’d have to say the most out there track in the list. It’s got this rock influence with those heavy-handed electric guitar strings, separate bass strings, and very subtle drums that are almost drowned out from the rest of the instrumentation! Definitely a solid way to close the track off! (It lowkey reminds me of the guitar solo Marty McFly does in ‘Back To The Future 1’ in front of that rock and roll crowd.)

As far as chemistry goes, these two have spent the better part of what feels like the last three months building connection, synchronicity, and familiarity to make projects, features, and singles that highlight a sense of brotherhood and single-minded energy on said work, and we are now seeing the fruits of that labour because at this point, they sound more like actual brothers then seperate MC’s!

Across this seven-track album, we get both of them going back and forth, shining light on their various personas, eccentric personalities, and dope styles that stand them apart but keep them vibing across the same process!

They utilise the beats to their advantage, using the variety given to express their deepest sense of creativity, vulgar bars with slick charisma to pull them off!

It feels like they are just going into the studio and saying whatever is on their mind that day and transforming those into rhythm form before putting them on the tracks!

These two men sound completely free of fear, opinions, expectations, and judgement. They are making the music THEY WANT to make and having fun with it! You can hear it in their voices from that tongue-in-cheek (I assume not serious) moment of Ant’s beat cutting off, to the outro track of the barking noises! 

To even the flexing, over the top lyricisms. These men are two brothers, in the studio working on shit they want and it’s something I love to hear because when they have fun, I have fun and it becomes an enjoyable experience overall! 

Come on and try this one out! Is this album gonna break records? Probably not but that’s not why this was made! A group of men coming together for artistic sake and for taking the game back to when it was more fun, less work! Plus it’s only like $8 I think? $5? Something incredibly cheap that wouldn’t hurt anyone to go support! So do so below and feel the natural connection and energy! 

https://krooked.bandcamp.com/album/wizardz

(GIBBLEZ)

Boy, are we in for a treat or what! This album I had the blessing of hearing early and all I can say is the culture ain’t ready for the heat coming their way! This thing is about to change the game! Let’s talk about it!

This is the brand-new record by MC duo’s Gibby Stites & Gamblez Tha Lucky Bastard and together they drop a solid ten tracks with the likes of 

-ILLtemper

-Frankie V

-The Bad Seed

-Akua The God

And with this short list of verbal killers on the scene you have a record that is sure to blow your head off with the intensity!

I feel I should start with the MC work first on this one because it is fucking phenomenal! These two have a chemistry that most would die for! A level of respect, passion, and brotherhood that syncs up to a point it’s like they share a single mind!

Across the ten tracks, these two share the same savage and aggressive personalities that flood the instrumentals with killer precision, raw flow, and in-depth murderous pen game that makes you feel like you’re being jumped by two goons waiting to jump out of the headphones and strangle you to death!

None is more clear of this mentality than the track -Read Between The Lines because that’s when they recruited the legend Bad Seed and the trio of their ‘don’t give a fuck’ attitude is ruthless! 

Although there are a few features, I love that these two handled their own and maintained the energy and atmosphere across the project with just their back-and-forth verses and bars! Truly one of the best pairings I’ve heard all year! 

Now onto the production, to say Gibby nailed the music would be the biggest understatement ever! As he is one of the two MC’s he understood what kind of aura and soundscapes he needed to go off on and so of course the production is just as much a problem and provoking as the verses!

As I said in the intro for the review, they bring the HEAT on this one, and the overall relentless sound is deafening! You’ve got ten tracks of pure intense, vivid, and heavy themes and influences that will leave you winded if you aren’t ready!

I would describe this album as the ex-convict alcoholic older brother of boom-bap who was recently released from prison and came back to take his rightful place as the REAL grimey sound of the underground!

No more soft shit, no more overhyped, over-saturated sounds, just the purest form of violent instrumentals and music so harsh you’ll be forced to mean-mug the world around you while you listen!

For me, it’s impossible to choose a favourite track as this feels like an experience made to be felt in one sitting, not picking and choosing. In fact, I’d go on the record and say, if you have to pick and choose and not respect the artists by listening to the full album, you’re a bitch. Don’t go being a bitch and enjoy the ruthlessness that is this music and its production!

Man, I had a fucking blast with this! From the insane features, to the no-nonsense vocal lines, to the production! This ain’t one for the weak of heart, so man up, go support and buy the record! 

https://gibbystites.com/?fbclid=PAVERFWAOn5ztleHRuA2FlbQIxMABzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAadBF_ZUSv0x8wSPQoi0c8DN5MlVQL1aZNwv6x9dZWWjrLxy91rNEjjjCpd3dg_aem_cZoQOw-MH24ukxQFXu-I7g