WHOOOOOO, this is the kind of track I’ve been looking for in a minute! This is the kind of energy that’s been missing from the underground! This track legit gave me flashbacks to my youth years and the music I used to rock with in my teen years, wow what a buzz! We gotta talk about it!
So, this is the brand new single by MC Nero and produced by my main man CAOS, a man I’m more than familiar with who seems to be nursing a more ‘behind the beats’ role and with fire like this he’s doing an excellent job!
This track is 3 minutes and 11 seconds of pure unfiltered and unadulterated heat that reminds me of the early to mid-2000s South Hip Hop Scene!
That beat has these repetitive theatrical notes with those thudding drum patterns that make it sound like a performance at half-time! It’s glorious, infectious, passionate and downright dirty!
This beat gives me strong T.I., 8Ball & MJG, Lil
Jon vibes in the instrumentals, lively energy, it’s gangsta aura and it’s larger than life execution and overall atmosphere!
This is the kind of beat you could literally listen to for hours and never get sick of it! I’m on my 5th replay to this song for the review and my head hasn’t stopped moving since! The definition of swagger!
As far as the man Nero goes. He suits this beat perfectly. He complements the beat with his own brand of infectious swagger and charisma that floods the track!
He has a sharp and powerful rhyming style that makes sure he never misses a beat and his words are as acute as razors and as passionate as the best going!
He has incredible enthusiasm, love for the game which can be felt with every word he spits! His flow is on point and his pen game is exactly the type this beat needed! It’s brash, braggadocio and across this beat that’s all that’s needed! No one wants to hear overly lyrical raps over a club banger tune like this! Save that for the deeper cuts this is strictly for the ones who have good health care and can risk banging your head nonstop till it hurts!
Overall a FANTASTIC EFFORT by both involved. It’s catchy, powerful, anthem-like and surely one of the singles of the year!
A duo I never thought I needed but now can’t imagine life without. One of the most consistent MC’s alongside the producer with a run of a lifetime! We GOTTA talk about it!
This is the latest collaboration project between MC André DeSaint and producer Machacha and together they dropped nine tracks with 26 minutes of content with the likes of
-DJ Dre
-Sunset Tim
-Eddie Kaine
-Maze Overlay
-Jachai
-Hell’z OWN
And let me tell you now that I haven’t heard Machacha sound smoother than he is here! (Which sounds incredible to even think) but it’s true. He’s riding a wave no one can touch across this project!
So many soothing elements from delicate keys, swaying ambient notes, what sounds like a triangle being intricately hit for maximum calming effect. Light almost reggaeton drum patterns with sharp and plucked strings.
Every track has an incredible sense of breathtaking charm to it. It’s one of those albums where you play with high-quality headphones and let your mind wonder! It truly is the best hip-hop equivalent of that reggae nature and relaxing qualities within the grounds of rap!
There are even subtle elements of jazz scattered throughout the album maximising that breathtaking effect across the production. I was listening to this and had all my stress and worries just fade away, it was the best feeling! Machacha really tapped into his ‘Tranquil’ side and I want more!!
On the mic we have André the man who I see everywhere on everyone else’s projects absolutely killing it in the feature position which makes it that much more exciting to hear a full project of his own!
As expected, he brings that same level of gritty, enthusiastic and sharp rap styles as he has all those other times being recruited as a hired mic killer!
He’s both savage and introspective on the mic being able to switch at a moment’s notice between exciting bragging to deep personal cuts and everything in between!
I love his charismatic attitude on the beats. He’s confident and brash, and his pen game is next level. He’s got a mastery of rhythm, and his flow is fluent and always on the mark. None of this off-the-beat shit, just pure MC skill at its finest!
I loved his track ‘Nostalgia Ain’t Cheap’ with Eddie Kaine and Maze Overlay together! Two of the heaviest hitters in the game right now, and André kept up with the best of them and maintained the energy of the track perfectly!
I can’t wait for the world to hear this side of Machacha! He’s provided the culture with so many tough bangers that it’s due time for some refreshing and exciting change of pace for the legend, and I hope we can hear more in the future! Alongside DeSaint, this thing was guaranteed to be a modern-day classic!
One thing I can testify and claim without a shadow of a doubt is that Action Figure 973 is a WWE stan from head to toe. Trust me, after I thought he could keep up with me in two NJPW tournaments (with one even promising free reviews during all of G1), and he still gave up. He’s only built for WWE shit, but I can at least respect his dedication and love for ECW! And in that respect, you get this album. Let’s talk about it!
So, this is the latest series of Action’s ‘Dark Side Of The Ring’ which has Sam ROTHSKEEM on the production and, of course, Action on the Mic! 5 tracks, 13 minutes, and nothing but pure old-school wrestling references and paying homage to one of the greatest who ever did it! (Sabu)
Across these 5 tracks, we have these dark, harrowing, and mysterious instrumentals! That feature such things like:
– Horror Keys that jump out at you
– Brooding Synth Chords
– Manipulated and Tortured Jazz notes
– Thick Bass Lines
– Heavy Drum patterns
And with these elements, it turns this under 15-minute project into a thrilling, exciting, and engaging experience with eerie vibes and a gritty atmosphere!
Although each track is different, they all coordinate together to help the project as a whole instead of sounding like a collection of random tracks that don’t fit!
It’s tightly wrapped, and for a wrestling fan, it’s everything you could want. From classic clips (such as the intro) to various mentions throughout the record! You can tell this was made by a true wrestling fan! So shoutout to Sam!
As far as Action goes! He’s obviously a monster across this album! He’s helping maintain the balance between Wrestling Stan X Real talent on the mic. There’s this misconception across non-wrestling fans that albums like these are bound to sound like a geeky novelty based on the theme, but that couldn’t be farther from the truth.
Whether you’re talking about West Side Gunn or Mickey Diamond or Estee Nack or especially Action, these men prove time and time again that with this new trend comes an exciting new territory that very few have explored yet, and they bring a fresh new perspective that I fuck with heavily!
Action normally chooses the shorter and more compact projects that are designed to just hit you quick and hard, like a pocket shot of adrenaline that you can just take with you on the go!
His wordplay is slick, sharp, and dope! He has a powerful presence across the beats, and his specifically tailored lyricism is nothing less than addictive! (For us wrestling fans anyway.)
He’s a true icon and personality on the songs, and his stance as a MC heel or babyface depends entirely on the concept and theme he’s undertaking, but for now, I’d say he stands pretty solid behind the fans to create something fun, memorable, and passionate!
P.S. That Jimmy USO track (concept) was ASS! Fuck USO, he ain’t main event anything. Should have made a song about Okada or Omega or Swerve, anyone but Mid USO!
Regardless, go check this album out! You’ll love it!
It should be no surprise to anyone who knows me personally that I’m a sucker for a wrestling-themed album (still yet to find a NJPW-themed one), but I still hold out hope. Now, this one features an MC I talk with day and a producer I respect above most! Combine that together, and you get a recipe that can’t fail! Let’s talk about it!
This is the brand-new album by MC Sha-Elemental and producer BoFaatBeatz, and together they drop seven fresh tracks with the likes of
– Tone Spliff
– Honey Dinero
– Dirt Rustle
– Poe Mack
– Len-Dor
– Barbaric
– Alverez Masterminded
– Mickey Bourbon to lend their hand on the record!
Now, as this is a BoFaat production, I had some idea as to how it would sound, and I was right. We are talking in the realm of cinematic takes on the underground Boom Bap genre.
I’m talking heavy drums, theatrical vocal snippet loops, intricate piano keys, and thick bass lines that go through your whole soul and out!
For an album with only seven tracks, it’s masterfully done. Each song not only flows into one another like water but also stands out individually as a handful of unique and memorable songs that can be enjoyed on their own and as a full listen!
As seems to be commonplace in underground albums these days, this album ends with a cypher-style track. I don’t know if this is coordinated with each other, but I swear this is my fourth or fifth I’ve come across this year alone that has the perfect instrumental for that type of track!
Those long chord progressions going in and out with those 90’s drums. Such a minimal yet effective way to keep the vibe and cypher format going! This is the kind of beat you could listen to for an hour straight and not get sick of it! Fantastic choice!
Also, have to shoutout my main man Tone for his incredible work on the cuts! A pure legend in the industry!
Onto the MC side, Sha does his job well at complementing those harsh and raw beats with his own brand of in-your-face, no-nonsense bars that are equal parts unforgiving and introspective!
He has a deep and raspy vocal style that makes his verses that much more gutter and gritty to further complement the beats!
I love the fact they decided to have him start right after that infamous wrestling shoot (based on the album cover), such a badass moment that is forced to be followed by its own badass track and Sha does just that!
Across the seven tracks, he showcases his diversity in rhyme manipulation, flow execution, and rhythm. His bars are always on point and stand strong!
As far as the features go, he seems to have found men and women who complement his style well. From the various names in the finale track to the few spotted on the rest of the album. He does well in holding his own and maintaining a strong presence while also letting the guests do their thing and drop pure fire on their respective parts!
Overall, another dope collection to a vastly growing number of wrestling-themed albums. The production is obviously banging, the cuts incredible, the features on point, and Sha himself has proven why he deserves to be recognised as a top-tier MC in the game!
I feel for this producer; the title matches what I expect from this tape. A man who has the capacity to lock in and create some of the most elegant and powerful albums of the modern era! A man who has been on countless projects and has helped make critical acclaim with his name and work alone!
So, to hear he’s released an instrumental volume just makes me excited to see what kind of magic he’s letting us in on!
Brand new beat tape by Giallo Point. 10 tracks and 25 minutes of instrumentals guaranteed to make you feel some kind of way. The beauty of a man like this is you don’t know which side you’re going to see!
Will you be getting the experimentally groovy jazz splash of his ‘PAPITAS’ series with Estee? Or maybe his more theatrical and deep cuts like on ‘THE ANOMALY’ from NOWAH THE FLOOD. Either way, he’s got a sound for any mood, and this time around, when out for himself, he’s made it a point to deliver some of the most lavish, delicate, and soulful cuts I’ve EVER heard him handle!
Across these 10 tracks, he utilises such fantastical elements as
-Glistening synth chords
– Funk-inspired drum patterns
-P Funk rhythms
-Shimmering notes
-Gorgeous vocal snippets
-RnB/Soul production
-Plucked guitar and more.
All the inspirations he’s decided to use on here just make my heart melt. It’s an album you can play at the end of a hard day as you can feel your troubles shifting away as you’re transported to a mellow, alternate pocket dimension courtesy of the majestic music!
Listening to this album becomes an atmospheric experience similar to astral projection. The music itself is perfectly balanced and complements each track that comes before and after! While also sounding original on its own with each track providing something different and unique!
I love how this album feels like it’s in a dimension of its own. I don’t care about any pointless, over-the-top mastering or polished product that’s scrubbed so clean it’s impossible to distinguish the techniques used on the album! Yes, it’s absolutely beautiful, but it’s done in his own style.
Everything on this album feels natural, grounded, organic, and pure.
I can feel the effort and emotion equipped into this album at every point. The time he spent making these beats and, of course, my mind wondering and picturing different types of rappers for this project!
Although only 25 minutes, this thing is nothing to sleep on. It’s perfectly produced, sweet in execution, and memorable in all the right ways! Make sure you go support the brother and check it out now!
If ‘FEED THE FAMILY’ ain’t on your radar by now, then you just ain’t tapped into the real underground, and it’s as simple as that. These men have spent the last few years building and dominating the field together as a collective and even more so as solo artists!
This man, earlier this year, released ‘Hooter Hyena’, which was admittedly my first introduction to the Family and their artists, and with that incredible performance, I was waiting patiently for the next edition of his discography, and the time has finally come, and all I can say is, I’m blessed he’s decided to start.
HANDING OUT SAMPLES
This is the latest full-length project by Feed The Family soldier Top Hooter! With production from the likes of
-Rich Tayo
-16BitSpit
-Tremendiss
-DJ Kerosene
-Michael Angelo
And bars from
-Mondo Slade
-Pro Dillinger
-Dun Dealy
Now, I will say this. I was rather surprised at the tone shift of the record. I was placing my bets on what I expected it to sound based on other members and their sonic projections so far. But I was wrong; this thing is one of the smoothest and most mellow performances of the Family’s work to date, and I was down for every second of it!
Across this project, we see the various producers utilise such things as
-Delicate plucked guitar strings
-Chipmunk-style RnB vocal arrangements
-Slick bass lines
-Classical violin notes
-Soft spoken keyboard
-Funk-inspired drum patterns and more.
Compared to ‘Hyena’, this feels like ‘Divine Feminine’ to his previous ‘GO:OD AM’. A more surreal and soulful outlook with more natural and organic instrumentation, structure, and clarity in the production.
To me, the score brings an atmospheric release that wasn’t present in the last one. Don’t get me wrong, on his last effort, there was a more hard, tougher exterior with more emphasis on that muddy ‘boom bap’ experience, but I feel for this one he was aiming for a more polished and instinctive approach where he’s becoming more in tune with himself and music.
Although a change of pace (at least to me), for the man, it remains a solid-sounding record with plenty of depth, flavour, and complexity to go around, and I hope the loyal fans respect this for what it truly is!
As far as the man on the mic goes, he’s as strong as I’ve ever heard him. Since we last heard him on an album, he’s been building his confidence, his abilities, and his pen game to a point of no content. To such a level that makes him undeniable no matter who he might be up against, and it shows!
You can hear the refreshed hunger in his voice over these phenomenal beats. You can hear the evolution of his lyricism with more introspective lyricism and wordplay that showcases his various takes on street poetry and his fresh vocabulary to suit.
He’s got those lethal bars, verses, and puns on standby, ready to throw, and his naturally born wavy aura floods the tracks with enthusiasm, passion, and conviction! Across the ten tracks, he makes sure each breath he takes is done on point with the beat so that every song sounds like perfection!
As further proof of his self-confidence, the small roster he’s hired to accompany him on this album journey are three of the best in the world, period. They all spit some of the hardest verses to date, and he stands toe to toe with the best of them! It’s no surprise his chemistry with Dun as they are both family members, but his equal brotherhood standing with Pro and Mondo shines just as strong and evident on their respective tracks!
After months of waiting for the next solo album, I couldn’t be more happy! It’s got everything I could have wanted. Dope production, solid features, incredible performance by Top, growth, and quality all around!
If there’s any album you shouldn’t sleep on, it’s this one!
Who the fuck decided this man should be let loose into the culture and run wild! This artist is one of the most wild and creative people I’ve ever heard, and now he’s gone and made his own full-length LP? Everyone watch the fuck out, because it’s gonna feel like…
RATS ON COCAINE
This is the brand-new beat tape by vigilante producer Soul La Flare, who as of late has been killing the minds and ears of underground fans alike with his consistent work on many of the Al Divino tapes, where he’s allowed the freedom to create to his heart’s content, which often means genre-bending, sound manipulation, and downright bat-shit takes on influences you didn’t even know could be done, and yet with every new production credit across those EP’s he’s drilled himself into the brains and hearts of us die-hard fans!
Now, that he’s let loose going solo across this 16-track, 28-minute effort, he’s unleashing a wave of momentum, atmosphere, and energy into this underground shit the world just ain’t ready for, and we get this unprovoked unpredictability from track 1!
Right off the bat with ‘MINNIE THE MOOCHER’, we get this ridiculous sci-fi meets western fantasy score with wobbling synth chords, deep keys, a skeletal drum pattern, and sporadic sounds that make you feel like you’re stuck in outer space watching a cowboy bebop-style turf war take place! It’s insane.
As the album continues, you have cuts like ‘THE ADVENTURES OF BRICKY’, which actually does sound like what I imagine a Rat high on coke, running through 1970s New York would sound like. You’ve got those distorted jazz samples going off as if the Rat is running past dozens of live jazz clubs accompanied by a 90s-era hip-hop drum pattern and those maniac synth strings going crazy over the beat!
Another mind-bending track is ‘RETURN OF THE SOUL LA ARKESTRA’, which sounds like the final boss in Earthbound turned experimental hip-hop. It’s all over the place sonically. Those notes sound like a hive of bees going ape shit flying around non-stop, then you have these high screeching synth chords and a marching band-style hypnotic drum pattern that ties it all together!
Again, if Giygas went the rap route, this would be his theme sound; it’s absurd but glorious all at the same time!
This album is full of chaotically beautiful cuts and episodes of frantic melodies and lucid rhythms that would put the actual drug acid to shame. Soul La Flare isn’t merely a producer; he’s an avant-garde painting come to life. His music is always off the cuff and against the grain, and this album makes me so fucking happy that music of this magnitude and originality still exists in the culture!
The day has finally come. The day when the anticipated team of MC Jiles and Producer Grubby Pawz come together to put the underground on lock and remind the culture what REAL grime is. Let’s talk about it!
This is the brand new collaboration between the two. 11 tracks, 40 minutes with the likes of
-AVENUEBLVD
-Rugby Losport
-BLUEHILLBILL
-Kil The Artist
-Van Buren Records to come help push that hardcore agenda to its peak!
Jiles. This man has the sound of death with every bar he spits. He sounds like Hip-Hop’s grim reaper going door to door to all the fake cats with his scythe in hand, mic in the other, killing off all the dead weight in the game right now. He sounds legitimately pissed off.
He’s come into this record as the underground’s judge, jury, and executioner, and he’s laying down a new standard in this era!
His vocals are absolutely guttural. Rough, raw, and rugged fluctuating delivery that’s accompanied by some of the most aggressive and graphic street poetry you will ever hear! He’s here to tell his story and his experience in life and in these streets and to tell it in the most eerie, detailed, and compelling way possible!
Although he doesn’t need it to pop, when he’s accompanied by any of the names provided, they help elevate and evolve the track from muddy to downright torrentially pouring grit! Especially the track ‘Beef Stew’ with one of the dopest verses I’ve ever heard by BLUEHILL!
At this rate, he’s gonna force himself into the culture hall of fame by pure grit alone! Ain’t nobody sounding like him right now, and with these productions behind him, it’s no exaggeration to say he dropped a classic!
Speaking of the production, we have Grubby, who has had one of the most consistent few years any producer can ask for! From working with the who’s who in the industry, from The Hidden Character to Estee and Al Divino to now Jiles! He’s the definition of a mastermind behind these projects, making sure the beats match the intensity and style to the artist themselves, and in that respect, these beats are some of the most filthy, sadistic, and gritty I’ve ever heard him lay down!
I’m taking thick drums, heavy bass lines, methodical chords, deranged synth melodies, and more. This project sounds like ‘The Street Corner reincarnated’ into a sonic equivalent with hip-hop beats!
If anything, I’d say Grubby is a walking, breathing amplifier! Whenever he’s in the studio with an artist, they plug into his mind, and he, in return, creates exactly what they want to hear on a large scale!
When you listen to CCE that came out earlier this year, those beats come ALIVE for that iconic splash style that Al and Estee innovated! When you listen to Hood Alchemy by ??? And you listen to that cinematic street opera come to life! That is ??? in a nutshell!
These harrowing, dark, and twisted instrumentals are exactly what Jiles needed to go off on! It’s tailor-made for him, and that’s why this project speaks not only volumes for the combination but for the culture as a whole!
As expected, this project was flawless from start to finish with some of the hardest beats you’ll hear in 2025! Don’t miss it!!
With this new release, I’m reminded of a legend in this game. One who has gone severely under the radar and one I associate most with the underground legend Illogic, helping in making some of the best albums of his discography, and yet his own career is one full of gems and underrated classics that can content with anyone in the game before or the present day, and with this new record, he reminds everyone what ‘Real Hip Hop’ sounds like. Let’s talk about it!
This is the brand new album by Columbus, Ohio MC and Producer Blueprint. The man who has decades to his name and one who has undoubtedly helped create what the underground is today and one who has become your favourite artist, favourite artist for his level of craftsmanship, skill, and quality control across all his projects, and this one is no different! We have 11 tracks with 40 minutes and the likes of
– Shepard Albertson
– E-Turn
– Angelica Lee on the album to help elevate this record! And boy is this absolutely incredible, and here’s why!
Let’s start with the production. As someone who has been incredibly familiar with his beats for albums that are at least a decade old at this point, he’s renowned for his creative and artistic approach to the ‘underground/art rap’ genres and putting his specific spin on beats that make all his production feel recognisable by sound alone!
Across this album, we see his trademark originality across the beats, with elements such as
– Soul
– Soft Rock
– Jazz
– Experimental
– Neo Soul
– Avant Garde
– Funk
– Traditional Hip Hop
And with these various sounds and inspirations, he makes magic. He makes sure each track has its own unique and structured score and set combination of instruments to make it both distinctive from the other tracks and to flow smoothly within the context of the album.
He makes sure not to overload his album with too many elements to jumble the listening experience, but instead isolates a select few things and works and evolves said choices until he delivers masterful music that sounds more like a cinematic experience than an album!
For example, that opening track ‘God’s Plan’ with those electric guitar strings powerful in the background, that infectious drum pattern, light piano keys, and that sweet and delicate vocal harmony that wraps the track up in a beautiful sonic bow!
And then look at the outro track ‘Back To Church’ with what sounds like sticky church organ keys, heavy bass lines with a subtle drum pattern, and what sounds like a maraca lightly in the mix!
He’s set the tone for the opening and the outro, and within those two tracks, you have a palette of various styles, themes, and characteristics that, as I said, makes each song feel like its own and not a repeat of any other track on the album!
It’s the masterclass in discipline, structure, and creativity that makes this and all his previous albums such gems to listen to. He’s a man who makes each second of the music as surreal, sharp, and lively as one can and makes the music itself run throughout your whole body and make you feel it unlike any other producer can! It’s something you have to listen to experience!
As the MC work goes, not just a dope producer but a prolific and highly respected writer in his own right, he puts down some of the best-written verses across this album!
He carries with him his trademark smooth and elegant flow, delivery, and intricate and intellectual bars that make him sound like a Harvard teacher, giving a lesson to his students on how to write the perfect verse.
He’s always a special level of charisma, passion, and enthusiasm on the songs to make each word he spits feel like bars of knowledge full of insight, wisdom, and grace! Like the words of a preacher trying to enlighten the rest of us!
When he drops his verses, they feel so in depth and detailed that I feel like I was there In person witnessing what he went through and saw right next to him!
The track that stands out most to me is the finale track ‘Back To Church’ as he describes the painful situation with his sister and his trials and tribulations with his faith and an event that happened after that incident with him! The way he describes the situation and the amount of context, description and emotion is absolutely unreal and definitely a deep and profound way to close the record!
That’s the thing about Blueprint. Whether it be with his beats or his words, he always speaks volumes on levels that most couldn’t touch! He’s been one of a kind his whole career an this album further proves why he’s one of the greatest in the industry, period. This is an album you can’t sleep on!
It’s been a minute since I last covered this producer who is now associated with a different MC than who I usually associate him with, but this new duo is making waves in the underground and for all the right reasons! Let’s talk about it!
This is the brand-new collaboration album between MC Kamron Bahani and Producer Goodphella, and together they drop ten tracks, 22 minutes, and the likes of
-Mondo Slade
-Daniel Son
-Snotty
-Marcus Hunter
A powerful roster to be working with, and with GoodPhella on production, this thing is bound to be a banger!
What I love about these beats is the versatility of it all! You’ve got those trademark boom bap influences, but you’ve also got elements such as
-Ambient/Acoustic
-Soul
-Chipmunk RnB
-Electronic/Synth
-Classical
-Funk
And as expected from a beatmaker of his calibre, he finds a way to mix and balance each sound so that no song sounds either overwhelming or underwhelming in the same breath. No song has too much or too little variety, so that the ten tracks provided all sound equally balanced and consistent, which most artists don’t do!
If I had to choose a favourite beat, it would have to be ‘REISLING’ due to its angelic female vocal loop over that skeletal track with those classic violin chords, those subtle keys, and bass lines! A very relaxing vibe that stands out for all the right reasons!
Each track feels beautifully crafted, smooth, and composed! It’s soaked in masterful technique, organic sounds, and beat patterns that turn this album into a memorable score that will surely be remembered for years to come!
Now, onto Kamron. The man I first discovered on Snotty’s album ‘The Blue Carpet’, and now to hear him on a full-length album is a treat and a half! What makes him stand out initially is his deep, raspy vocal performances! Somewhere in the middle of Bub Styles and Pro Dillinger. Very rough and rugged and above all ‘memorable’.
He lays vocals across this project like multiple lines of TNT. Each verse feels like an explosion of words, bars, puns, and stories that leave vocabulary shrapnel in the brain! He has an almost battle rap energy to him, like each verse is a stab or a shot at someone who’s inches away from him on the other side, and his goal is to destroy the person with the harshest bars he can think of!
This metaphor only strengthens when he’s got any of those roster I mentioned above with him on a track because the intense, bully energy grows tenfold, and it makes me envision a lyrical massacre by Kamron and any of the four features on the track!
I love how he can go from introspective stories and reflection to hardcore in your face, fuck your life energy in a heartbeat! Each track can provide a different side of him, and I feel that’s a talent in and of itself for a MC! Definitely respect that!
What a collaboration to witness! One of the strongest MC’s with one of the strongest producers! It’s a match made in the dirt that rose up to a gem!
The Serpent Tongue Reviews 