(Rose Gold)

It’s already been quite a year for this man. After an incredible run in 2024 with many albums considered ‘Album Of The Year’, he’s back with his third offering of 2025 and no doubt a record many will speculate will be this year’s ‘Album Of The Year’, so let’s talk about it!

This is the latest collaboration album by underground legend CRIMEAPPLE and notorious producer DJ Skizz, and together they drop 12 songs with just under 40 minutes of content, with the likes of

-Estee Nack and -Lil Eto as the features!

Earlier this year, they did drop the single ‘Oro Rosa’, which had the culture buzzing, and now with the full course available, how does it fare? Well, in my opinion, this is CRIMEAPPLE’S strongest album of the year.

Starting with the production, DJ Skizz, who hasn’t been quiet himself, as I remember him dropping that collaboration project with Musalini in that dope record ‘The Pierre Hotel’, and now with this, he’s bringing his trademark organic instrumentation and theatrical production/execution that makes this record sound like the sonic equivalent of a holiday on a tropical island where the ocean is clear and the coconut trees plentiful, and the skies beautiful.

The biggest factor of this record is how gorgeous and authentic the instruments sound across this album. Doesn’t matter if we talk about the luscious strings, the subtle keys, those loud and powerful horns, or the traditional/crisp and well-executed Hip Hop Beats. Every aspect from the grand instrumentation to the skeletal rap production feels larger than life. It feels ‘luxury’ with a fresh atmospheric aura that sounds like paradise.

I had to listen to this album three times before I could review it specifically due to the fact I kept getting lost in the beauty and elegance of the production. My body and mind felt relaxed, and I was just soaking in the pure divine vibe of the record. That’s how powerful and beautiful this album sounds! 

Now, onto the man himself. The man who has broken every expectation on him for the past few years now and across this album, paired with that lavish instrumentation, he’s determined to break new ground and show the culture why he really is ‘that guy’.

What’s interesting is, although the production is as gorgeous as it is, Crime hasn’t toned down his lyricism at all. It’s still street, drug bars with his trademark charismatic spin that only he can pull off. 

He brings with him that untouchable flow where he can manipulate the beats for him to spit however and wherever he wants on the beat in his own ‘free form’ style and still come out perfect. It’s actually fitting he features Estee Nack on this album as he’s the king of that style and Crime shows his ability in that as well, and hearing them on the same track is heaven-sent!

His raw, natural aura and cadence on these tracks is infectious. He’s in no rush, he ain’t rapping on anyone’s time but his own. Always the one to be calm and collected on the songs, building his rhythm combined with his lethal yet surreal pacing and sharp penmanship, he’s showcasing his ‘all-rounder’ talents and, as I said above, I feel this is the best he’s sounded all year!

I could listen to this album for weeks on end and never get sick of it. The chemistry between these two is undeniable and, although we did get a record with them back in 2019, I hope we can get one more to finish off the trilogy! 

https://open.spotify.com/album/1Dm3HzPFITF0rXyHilNeFl?si=CAP1RimUTQmiNbMeh7kEPw

(CRESCENTMOONMAGIK)

I haven’t been this excited by a new single drop in ages! This song features a producer who I honestly think is at the top of the list for best beat makers in the underground or in hip-hop period. He’s already produced ‘Infinite Wave’, my ‘Album Of The Year’ so far, and his track record last year spoke for itself. With the teasing of a new record, I’ve only got excitement and anticipation in my heart and soul, and in the meantime, we have this single! So let’s talk about it! 

This is the brand new single by powerhouse producer BONEWESO and featuring one of the most underrated MC’s out right now ??? (The Hidden Character) and together they release this beautifully crafted single that defies all expectations! 

Right off the fucking bat, we hear that breathtaking jazz instrumentation that gave me goosebumps as soon as it started and continued throughout the whole track. That divine loop with that high note finish towards the end only to come back to the basics of the loop is one of the most beautiful renditions of a sample I’ve heard in my life. 

Bone Weso can do no wrong; the way he’s incorporated that instrumental over that skeletal boom Bap beat with the inclusion of those subtle piano keys just comes together in the most divine and powerful pieces of music I’ve heard in the past few years for real. 

On to ???. The man who has been killing the game for the past few years, delivering some of the dopest feature verses the game has ever heard across multiple projects, but now he’s decided it’s his time to shine in the spotlight, and the game should be worried because he ain’t one to fuck with.

As usual, he drops his trademark in your face, raw, rough, and rugged delivery on the beat. His lethal pen game and grimy flow make him a force to be reckoned with. When he’s in his zone spitting bars, he can’t be stopped. This song is not even three minutes long, and yet we hear him drop verses, puns, double entendres, street bars, witty bars, and fluent mic work that it sounds like he hasn’t taken a breath the entire song.

Bar after bar after bar, this man doesn’t stop the whole track! Combined with that glorious instrumental, you have a recipe for a single that could rival any others to come out this year or any other!

I’ve literally listened to this track over 25x, no lie, and before night’s end, I’ll probably listen another 25x more. I can’t praise enough the efforts of both men and what they brought to the table, from that immaculate production to the lesson in expert pen game. These two have such a lethally strong chemistry that I fear will run the rest of the competition dry for the rest of the year! 

https://youtu.be/yt4ZF32bKnA?si=uPMrSd704cmatMxw

(Best Among Equals)

We are so fucking back! Talking about two men who haven’t missed yet. They’ve spent the last few years collecting a discography most could only dream about. With banger after banger, they’ve collected the respect of peers and listeners alike, and now they are back to prove that they indeed are. 

BEST AMONG EQUALS 

So, new collaboration album between MC and artwork king P-Ro and powerhouse producer Mathias, and together they bring 12 new tracks with the likes of: 

-G Fam Black

-Crotona P

-OGBenGrimm

-Aztech from Hybrid Thoughts 

-Mo Rukuz

-Oblivious

-Lu Chin Chen 

-I.N.F

-Lateb 

What’s obvious right from the opening track is the quality behind the production. We ain’t talking about an amateur just starting his career or an unsure, unproven player who has yet to blow. Nah, we are talking about motherfucking Mathias! This man has made more hits than I’ve ever done in any sport, period.

Whether we are talking about the thick kick drums, the sharp snares, the elegant chord progression, the plucked strings, and beautiful jazz notes, or even the moments of pure filthy muddy boom Bap influence. 

No matter what his soundscape is or what he is embracing across this project, he’s elevating, evolving, and rising all the instrumentation in question until they start to develop ‘Cinematic’ qualities with theatrical atmosphere and emphasis on ‘essence and aura’. It’s absolutely fantastic!

As spectacular as the production is, the MC’s give him a run for his money. There are so many duos and pairings you can mention for their chemistry and synchronicity, but these two have to be on top of that list.

You can tell Mathias is making exactly the production P-Ro and company need for the moments. There’s never an awkward phase or lacklustre performance or underwhelming scene, nothing at all. This is just pure familiarity and professionalism at its finest.

What makes every P-Ro record special is his authenticity, his down-to-earth nature, and his raw storytelling ability that makes each verse hit harder than most!

He has superb writing ability, infectious passion and enthusiasm combined with his crisp flow and pen game, and he’s the whole package.

Whether he’s rapping with savages like G Fam Black or in a cypher scenario like the final track, he’s always standing out, holding his own, and proving to his contemporaries and fans that he can rap alongside anyone and everyone and always spit fire!

Now, speaking of that finale track (which was teased earlier before the record dropped), but man, what a performance that was. In under four minutes, they fit in eight of the top MC’s out right now in one of the most explosive finales to an album in the last few years! This is a true audio statement. This is saying ‘we run this shit and we are here to stay’, and I loved every second of it.

Overall, another fantastic effort by everyone involved! Effortless production and dope MC work. I am not surprised in the slightest how this turned out! 

https://open.spotify.com/album/61voRRFlfcfTpi2JmyYchd?si=8EVtkMZ2SYGyFAjFgmQ7iA

(BEFORE THE ALBUM DROPS)

You know, the title of underrated gets thrown around a lot and yet very few are as worthy of the description as much as this man. With a consistent discography that combines incredible lyricism, storytelling, and cinematic production, he’s crafted himself into a real ‘underground king’ and he’s back to prove that to you all once again!

So, this is the latest Bandcamp album by legendary MC Hus Kingpin. For this project, he brings with him: 

-Shaolin Luciano 

-AWSME J

-Pete Rock

-Big Ghost Ltd

-Giallo Point

-Struggle Mike

-Sovren 

-Crabskull

-DJ Manipulator on the production and 

-Snotty

-Abe Linx 

-Tully C

-Willie The Kid

-Smoovth 

-RJ Payne

-Spideragod 

-Lucky Seven

-K Burns

-NapsNdreds

And includes 11 tracks. 

You’d be pretty hard-pressed to find a case where you have the list of producers as this album does and it not be a home run. What these nine beat makers bring to the table is diversity, masterful technique, and quality. 

Each man brings their own strengths and skills to the table in their specific way. For example, when you have the track ‘SITUATIONS’ by the legendary Pete Rock. You can hear how beautifully he lays down that combination of delicate piano keys and that 90’s-influenced Hip Hop beat with those traditional beat breaks and subtle synth chords running through it. 

Or when you have the track ‘DREAMS’ with the notorious Big Ghost Ltd and hear how he manipulates those crisp chords across that skeletal and raw boom Bap-inspired beat with that subtle use of that female vocal harmony, all that comes together for a darker and more sombre listen than most! 

Even the track ‘RAVIOLI’ with the powerhouse Giallo Point. Where he utilises that more muddy, grimy boom Bap atmosphere combined with a touch of classical with those orchestral sound elements with those plucked strings looped in the foreground of the instrumental, bringing a more rough and rugged experience to the track.

This, to me, said is just three examples of different producers bringing their own ‘influence’ into the album, and with each man doing the same, you get a sonic platter of sounds and melodies that keep this album interesting and fun to listen to! 

On top of the MC work. This roster is the definition of ‘The Best Of The Best’. You can’t beat this line-up, and with Hus being at the front of the pack, you can’t go wrong.

He comes through with this usual expressive, charismatic, and poetic persona across the beats that has made him stand out for years now.

His brand of lyricism and pen game makes him feel more like a distinguished author rather than a mere ‘rapper’, by the way he manipulates words to fit his narrative.

His smooth and fluent flow work, combined with his undeniable rhythm, makes him one of the best examples of an all-rounder the industry has. 

He can set up a story narrative and make conceptual tracks as if it were effortless. The only man I can think of that shares the same level of skill would be ‘Billy Woods’. It’s an exclusive group that 99% of the game can’t enter.

Of course, as mentioned, he brought with him some of the best and brightest talents in the game as we speak, and none of them disappoint! They all bring their best foot forward and deliver some of the best verses I’ve heard all year! 

If I had to choose two of my favourite feature verses on the album, they would have to be the ‘Spider Da God’s’ on track 6, ‘K. Burns’ on track 9, or ‘Snotty’ on the intro track!

But regardless, each man brought it! Not a weak sentence to be found, and each MC helped elevate this record to a whole new level! 

Overall (not surprisingly), another solid release by the man with the perfect discography. The projection was perfect, as was the rapping performances! Don’t sleep on this one! 

https://huskingpin.bandcamp.com/album/before-the-album-drops-digital-tape

(Deity Dope)

It’s been a minute since I last covered Hank Dope! I last covered his ‘Dopamine’ EP and since then he’s been on my radar as one of the rawest artists out, and he’s back with another addition to his ever-growing discography! So let’s talk about it!

So, new Hank Dope album featuring seven new tracks and twelve minutes of content with the rapper Outti as the only other MC assigned to three of the tracks on the project!

As per usual, no matter how short or long the album is, Hank always chooses the most muddy, theatrical, and cinematic music for his raps. We are talking the perfect blend of gritty, orchestral, immersive, rough, and beautifully crafted sounds in the game today.

In this twelve minutes, you have moments like ‘Mia Wallace’, which features those stunning choir-like vocal harmonies that give your body goosebumps accompanied by those synth chords subtly playing in the background!

Or even the track ‘Elixir’, which features foreign almost dessert-themed instruments with sounds you’d expect to hear from the movie ‘The Mummy’, with those eerie male chanting vocals mixed in with that traditional boom Bap beat! 

The point is, with every Hank drop, you can expect these levels of surreal and atmospheric sounds that elevate the usual ‘boom Bap’ sound with larger beats and more powerful emphasis on the instruments and voice samples to give a more definitive and grand experience than you commonly use, which is also why Hank’s releases are so anticipated!

Now onto the man himself. If his production choices are cinematic, it’s a reflection of Hank and the storyteller that he is. He’s a street poet, who’s equally street and smart. He’s the furious styles of the underground. He’s the one to teach you wisdom but will equally bloody his Jordans if you try to step to him!

He has a strong sense of self. A killer energy, and dominant lyricism and lethal pen game that can rival the best of them! When he spits, he commands the room to take notice, and they do! What elevates this record further is the use of the feature MC ‘Outti’. They really hit off with their perfect chemistry and paired aggressive nature on the tracks!

This is the kind of synchronicity you’d want out of a duo. A pair that can match the others’ energy, passion, and ruthlessness on the songs, and considering he’s on three of them, it definitely makes for a compelling listen for each song he’s on!

Overall, for 12 minutes? This shit fucking goes HARD. Incredible production topped with even better rapping by both men involved! Definitely don’t want to sleep on this! 

https://open.spotify.com/album/0uZyqTztIfiCBcza5ooZol?si=w-LkbRQJSHuZL3NTdE5otg

(Peony Blues 2)

Another new artist discovery! After almost 400 reviews done this year, I’m still finding myself discovering new artists I’ve never heard of! That’s the beauty of the underground! So let’s talk about it!

This is the latest record by MC TuNe B. Alongside him, he has the following producers:

-Luke Mackenzie 

-BMG Castro

-Sekaniii000

-Simensez

-Prod 4_Head

-jesusmagazines

-tiredassab 

-prodsoul_

-IRØNSKULL

-Okweapons

-prodghostttt

-flousenn 

-prodbyscutt

-ST3R30

-Chas4y

-Koroboiii

And features guests on the tracks:

-willyynova 

-forgetgeeze

-milehin

And I gotta say, despite the huge roster of producers on this record, this thing is fucking smooth. This is the kind of rap music I spent my teen years listening to more than 15 years ago, and it makes me happy to know this type of art isn’t dead! 

This sound reminds me of the old-school underground lo-fi/ambient/experimental/art rap that you’d expect from the likes of: 

-Open Mike Eagle

-Milo

-Earl Sweatshirt 

-Quelle Chris

Real pioneers of that ‘alternative’ vibe era rap with the saturated production and ASMR-adjacent instrumentation and outer-worldly atmosphere and soundscape. This is the kind of production I’d listen to while I was getting high or just wanted a space to think, let my mind wander, and this type of music I find has a way of expanding your mind and making thinking a lot easier and more profound than with regular types of music.

Into the rapping side of things, I really gravitated towards this guy because he reminds me of a young Earl Sweatshirt or a combination of Earl and Billy Woods. He has this equal part introspective poetry and dope/lethal bars that come together for this amazing chemistry that most MC’s don’t have.

His ‘freelance’ style of rapping is unique and fits this production perfectly. It’s engaging, entertaining, and most of all, original. He doesn’t sound like a rapper writing words on paper but more a man thinking out loud in a studio that just happens to be recording! 

I love how his lyricism and flow just effortlessly glide through this various soundscape with ease. He knows how to manipulate and devour the beats to ensure the best possible outcome for his original wordplay and delivery. His smooth and unbothered cadence is infectious to hear and makes his verses that much more interesting and powerful.

Overall, a fantastic effort by everyone involved! It’s definitely an album they can say is original to them and can’t be replicated!

https://open.spotify.com/album/2xHVXq5POfiRrU4QPvBa4W?si=w6aEqwhAS4yM4RDat2YDig

(TheSmokeFaceKillahLP)

Nothing excites me more than discovering new artists! Especially ones who have been generating buzz over the social media platforms. If the world hypes over them, then it only makes sense I do the same! So let’s get on it!

This is the latest album by SHA, which is produced entirely by Chef! Together, they dropped 12 tracks with 23 minutes of content and features the likes of: 

-Arold

-DayDaDon

-Jiles 

-Packy Marciano

-Ali. Riann

Now, starting with the production by Chef. I gotta say I love what he did with the sounds on here. Firstly, the exterior of this album is rooted in muddy, gritty boom Bap beats, but what Chef does is provide emphasis on those elements and elevates them to a higher standard. So if a normal boom Bap album is a no-name street criminal, then this record is Wilson Fisk. The motherfucking kingpin. 

You can hear the quality upgrade in the instrumentation itself, in those jazz-oriented piano keys, in the classical/choir-style vocal harmonies, or even in the rare instances of smooth, club-vibe beats on the track ‘Wheel Of Fortune’ with those beaming synth chords and infectious hip-hop beat! 

The point I’m trying to make is that Chef doesn’t just cook with basic bitch ingredients. He spends the extra $ for the premium tastes, the premier tastes, and recipes that your average cook can’t even read, let alone create. 

This record may only be 23 minutes, but in that small time, Chef was able to elevate and evolve the hardcore sounds of Boom Bap into a luxury sonic adventure that will leave your ears and soul craving more for days afterwards!

Now, we know what the Chef can do, but the real question is, how worthy is SHA to be eating off those delicious beats? Well, if Chef is Zeniff, then consider SHA Sanji. The man who equals the producer in consistency and quality and is more than ready to kill the production provided.

I noticed very early into the album just how skilled he is. You can hear his overwhelming passion and enthusiasm for the art. He has this infectious spirit and energy for the rap game, and he expresses it into his riveting wordplay, his amazing pen game, and his smooth/fluent flow that just glides all over the tracks like a bird flying over the crystal-clear waters of the ocean.

I also love his studio cadence. He’s the man in the booth, and he’s going to make you believe it before the album is over. He’s the kind of person that has the ability to talk and have everyone in the room listen. He’s also the type of person to have a sixth sense with the beat, to never miss a beat or step. His every bar and verse is exactly spot on with the instrumental, never an awkward moment or error in his delivery.

While I’ve never heard of his features until now, each person provides that little something extra to help elevate this album into new heights and provide excellent chemistry and synchronicity with SHA himself!

Overall, absolutely loved this album! Everything from the production to the features to the MC work of SHA, it’s all beyond satisfying, and I’ll definitely be on the lookout to see where he goes from here! 

Record Mixed/Mastered by SUMBU of The Soundlab 

Elevation Records, Product & Play, World Order Group

https://open.spotify.com/album/1bQIMGLJzP0P7tNxVlR0au?si=w9b66ziMQByVUvh_ZCvUqw

(NYU)

After winning ‘Single of the First Quarter’ for his fantastic tribute to ‘A Tribe Called Quest’, I had him on my radar immediately. So, of course, when I got wind of his new album, I had to cover it! So let’s talk about it!

So, this is the latest album by O The Great! Featuring the likes of: 

-Tru Mentillz

-Masta Conga

-Castle Money Beats

-Tone Spliff

-The Prxpect

-Ashtronomicz 

-Ralphie Reese

-Jamil Honesty

– Isaac No Beat

On the beat and 

-Daniel Son

-Sunez Allah

-Pro Dillinger

-Twistello 

-Ruste Juxx

-Supreme Cerebral 

-Eloh Kush

-Ralphie Reese on the mic!

And man, although I’m not usually a fan of albums with more than one producer, the way each man captures the vibe and atmosphere of the record, that raw, rough, and rugged exterior with those theatrical sound executions and muddy textures comes together to create one of the most unique and original listening experiences of the year!

The thing I immediately noticed across this album was how grand and immersive the instrumentation was done. Whether you’re talking the elegance of the subtle yet shimmering piano keys or the dreamy and elongated horns or the orchestral use of those low/high note combinations that you can hear in the background on the song ‘Live From The Mecca’, every song on this album uses instruments in the highest quality and deliverance possible. 

Of course, every album uses sounds (that’s a given) unless you’re planning to go a cappella, but there’s definitely an ocean of difference when you hear an artist who actually pays attention to detail, works on making every single sound pop, and mastered to such a point that it sounds cinematic in its final outcome, and this is what these producers have committed to do for this record, and I can’t respect it enough!

One thing I also love about the production is the subtle use of old 90’s rap snippets. I won’t spoil what they are, but if you’re a real hip-hop head, you’ll be buzzed to hear them too!

As pointed out above, not only does this album showcase a roster of producers but also MC’s! Some of the finest in the industry right now. Meaning O had his work cut out for him to not only match but thrive in the presence of such beats, and I can report back to say he stands firm and demonstrates just why he’s one of the powerhouse rappers himself!

Across this record, you can hear his deep and dope studio cadence as he absolutely destroys each beat he’s on. His beat-for-beat flow is uncanny, and he has the skill to manipulate a beat to work for him and not the other way around. I love his witty and dominating presence with his rhythm and his striking lyricism that’s equal parts intellectual and street smart! No one can throw down bars quite like him!

I’d say his passion and enthusiasm are two underrated traits about O that get overlooked. Of course, he’s a surreal artist, but he’s demonstrated time and time again that he has a real love for the art of rap. When he’s crafting his verses, he’s being methodical about it, he’s taking his time and thinking about what word fits best where, and you can feel that concentration in his voice and in his energy he threads into each and every beat on this album. 

Whether it’s his brilliant efforts rapping alongside underground legends, or his ear and taste for superior producers, or his creativity and construction of phenomenal ideas and concepts, one thing is for certain, we are seeing O in his prime zone, and while he’s in this state, I don’t know anyone that can match.

I can’t praise this album enough. Across these 13 tracks, you get everything you could want for a rap album.

Dope verses, ridiculous features, outstanding production, and enough soul and heart to fill up 10x artists’ discographies and then some. This is NOT the album to sleep on!

https://open.spotify.com/album/0q5DbTra7JCSlSuN9giWQn?si=Omu7_VmNSxSllWxow6afkw

(Death Blows)

This has to be one of the most hyped moments for me all year! Why? Because we are getting new Substance810! For those who’ve been living under a rock, he had one of the most prolific years last year with records such as: 

-The Port

-The Lion’s Share 3

-Catacomb 

-Wise Words

And now he’s back with an MC army that would make any rapper quake in their boots, and he’s really to kill! Let’s talk about it!

So, new Substance810 single off his anticipated new project ‘One Inch Punch’, produced by Haas Almahdi and featuring the likes of: 

-Philmore Greene

-Waterr

-DJ Rhettmatic 

And right off the fucking bat, this beat is like a time machine back to the golden East Coast 90’s with that Wu Tang, Onyx, Mobb Deep type shit. We’re talking heavy thudding Hip Hop structure with those subtle keys in the background, with those absolutely shredding cuts and scratches that make it even more reminiscent of the old school era.

All this put together forms that raw, rugged, and in your face demeanour that will kick you down if you ain’t bold enough to handle it. That ‘fuck your feelings’ atmosphere that the 90’s wore like a badge of honour, and the kind of instrumental that is perfect for three powerhouse MC’s to go off on.

And that’s exactly what happened on the track. These three men are some of the rare breed of elite rappers you’ll find in the game right now. They don’t just spit bars; they drop knowledge! Starting things off with Substance810 himself, followed by Philmore Greene, then ending with Waterr, and each man drops verses of the year contenders that melt the papers they’ve written on!

Each man is devastating in their own right. With endless capabilities for lethal penmanship, precise execution of wordplay and flow, and intelligent and street-smart lyricism. There ain’t a weak breath uttered across this whole single, and the game should be lucky that they are only together for one song because if they were to make a collaboration album, that would be game over, industry DONE! 

Of course, as expected, this single is straight fire. From that ridiculous production to the monstrous bars and verses, this thing has the recipe of being the single of the year!

https://open.spotify.com/track/1ksDGn3RlZfEv5OOOrnXul?si=F2IMGigkSMayovuX2mZUeg

(Jell-O)

What do you know, after all the credit and hype I gave to the Penlordz X 6th Man collaboration in ‘ELEPHANT TUSK’, we are already back! This time with one of the more original and high-energy singles I’ve heard this year! Let’s talk about it!

So, this is the latest single between Penlordz (Audio Messiah and Fam Ross) with Shade Cobain back on the production, and I’m honestly surprised and impressed at how this one turned out!

I’ll try to describe the production as best I can! We have these subtle horn loops over what sounds like a field of maracas being shaken! But it also features various voice samples across the track that give off a loose jazz vibe in the way some of the old-school cuts (like Herbie Hancock) would feature the occasional abstract voice snippets across a song. 

But also how the instrumental ends in an almost ‘rock and roll’ conclusion. There’s just so much going on in this beat that it’s remarkable. It’s lively, unique, creative, and refreshing all in one. I definitely never heard a beat like this all year, let alone from Pen Lordz! Fantastic.

Onto the MC duo themselves. On this cut, it seems they are delivering a more ‘freelance’ approach to their verses to properly complement this abstract production. As usual, I love their verses! They can’t miss. They bring their trademark elite lyricism, their untouchable witty and clever one-liners and puns. Their knowledge-filled bars combined with their effortless flow and advanced vocabulary and smooth cadence combined even more with their energy, enthusiasm, and passion for the game, and they have the full fucking package!

This is definitely one of the most original singles you’ll ever hear, trust. The production is off its rocks! The MC work is perfect as usual, and the chemistry between all three is as immaculate as you can get it! Check it out now!

https://open.spotify.com/track/7oMCXibfo1olZcioJRrjLA?si=e8bYfg8gSRSqpCIk4gNUIw