(Place To Bag)

It’s always an exciting day whenever this man drops! He’s probably the only artist I’ve covered since starting this website that has gone through a name change! He’s like the Prince of this shit, ‘the MC formerly known as Moe’, but regardless of his name, he’s one of the hottest in the game right now, and after his last single, I couldn’t be more hyped for this one! So let’s talk!

This is the brand-new single by MC Maurice with production by Koba Dera, and this time around, they come packed and loaded with the umbrella soldiers in -Daniel Son and -Snotty, and this four-man team steamrolls this track unlike anyone else can!

If we start with the production. This is one of Koba’s coldest beats yet! This has such a methodical tone to it that’s equal parts raw, gritty, and powerful! 

Across this beat, we can hear these haunting plucked keys that go off in this creepy slow loop that I fucked with heavily! Going along with that, there are also these eerie, almost whispering wind sounds that appear and disappear just as fast that I feel fuse with the keys.

We have some thick bass and subtle drums that help provide a crucial element to the overall atmosphere of the track! 

This is truly the darkest I’ve ever heard this man go! And considering the names he has rapping on top of it, this choice makes complete sense!

Speaking of the men, we have a trio of the dopest out. Starting with Maurice as he sparks the song up with his fiery cadence that sounds like gravel in human form.

We hear him provide an absolute killer verse full of hypnotic rhythm and a pen game that’s like a dark poetry edition of street rap, deep, rich, and savage! 

He also provides the chorus verses, which run through the whole song!

Next in line is Daniel-Son, who is one of the pillars of gritty street poetry. He’s had his vivid imagery down since day one. Every verse of his sounds like an audio version of a Sopranos episode! Extreme detail and concentration with his flow and pen game that makes him an elite MC! A man who, equipped with his stone-cold/deep tone, is always a standout in the feature category! 

And what a way to end with the one and only Snotty. This man has been consistent for years now, and with age, he only seems to get better. Across this tape, we hear him at one of his most memorable and aggressive! His ruthlessness comes out in spades as he brings his trademark brash flow and rhythm to the table.

Very few people in the game have his level of swag and aura, and combine that with his impeccable street bars, lethal wordplay, and unrivalled conviction, and he’s the dream of any MC to have on their track (let alone to close it).

Another reason to be excited for the album! This single is even better than the first one, and I can tell just by these two singles alone that this upcoming album is going to be LEGENDARY! 

(Godspeed)

One thing I love to prioritise over anything else is originality and creativity. Someone who creates their own lane paved paths for others to follow, and I feel this man does that for the culture. After covering his past projects, he left me with a curiosity of what’s to come, and now I get to find out! Let’s talk about it!

This is the brand-new single by MC Jasz Official and Producer Renaissance Tone (a frequent collaborator for those in the know), and one that gets me hyped every single time. We have on this one just over three minutes of content that is sure to make you feel some kind of way!

Firstly, this track starts off beautifully with those vocal lines that kind of remind me of a mix between Kendrick & Frank Ocean, but it’s unlike any hip-hop track intro I’ve heard before! After the track fully unravels, we get this absolutely gorgeous loop consisting of these old-school second-form vocal harmonies that have an angelic quality to it as it loops throughout the song!

Accompanying this is some groovy plucked strings, some luscious piano keys, that all come together into this finely crafted piece of music that literally gave me goosebumps! I could literally listen to this instrumental for hours straight without getting sick of it!

As far as the MC work goes, as per usual, Jasz hits the absolute jackpot with his vocal interpretations, his fluency, unique flow, and introspective lyricism that really sets him apart from everyone else in the game! As I said, originality and creativity are my two most favourable qualities in an artist, and he presents these in spades every time he’s on the mic, and today is no different!

Across this track, he showcases such a versatile range in techniques that it’s insane. Some parts he sounds like bearing his immediate thoughts into the mic. Other times he sounds freelance and moving wherever he pleases verbally. Then, in a blink of an eye, he can maintain a more traditional pace, staying next to the beat and sticking to the rhythm in uniform.

It’s not only these factors that make him so memorable; it’s the weight of his lyricism and the way he captures your imagination with his construct of bars and puns, one-liners, you name it; he can do it all from vivid storytelling to the most compelling brash bars you’ve heard in your life!

Trust me, this is one for the record books! It doesn’t sound like your everyday trends BECAUSE IT SHOULDN’T. Following a trend is fine, but don’t expect to be memorable doing so; this is for those who appreciate artistry, and that’s exactly what these two men are! 

https://jo2024.bandcamp.com/track/godspeed-prod-renaissance-tone

(Event Center Racing)

A surprise drop. This man I’ve always felt has maintained as one of the dopest underrated MC’s in the landscape right now. With some of the illest feature verses and projects alike, he’s always stayed consistent and the one to look out for. Now with this brand new offering, he’s looking to further push the narrative of ‘one of the dopest alive’ and I don’t see any reason to doubt it!

This is the brand new full-length studio album by powerhouse MC Shottie & Producer Wahr Season, and together they drop a collection of 14 tracks that features the likes of 

– Swab 

– MONEY MOGLY

– Asun Eastwood

– PRO THE ARTIST

– Salazar El Tabaquero

– Maze Overlay

This is truly a who’s who of icons to appear on this tape, and each one brings their best feet forward!

If we start with the production side of things, this man Wahr creates a truly cinematic score that highlights Shottie’s characteristics, his cadence, and his abilities. This is a tailor-made soundtrack of in-depth atmospheric, rich instrumentation as well as dope, infectious beat progressions that help this album walk the fine line between an incredible well-balanced/fluent listening experience and the type of record you could pick out songs one by one and still be bangers!

Certain songs stand out to me, such as the song – Gold Metal Heat. This is one of those ambient infusions that I couldn’t resist. It’s got these eerie wind sounds in the background, these haunting piano chords on a loop, as well as some methodical drums that all come together into this truly introspective yet disturbing instrumental that would only make sense if you had killers such as Shottie & MONEY going off on it! 

The song – Bob Kaiser was also a standout to me; it has this 80’s flavour to it that I couldn’t quite put my finger on. You’ve got these funky jazz-style plucked keys and subtle jazz horns in the background, as well as some groovy drum beats and lighter separate keys in the background.

I also loved the off-the-cuff style vocal performances for the chorus! This whole track gave me goosebumps in the best way possible; it felt so rare in execution and was definitely one that was memorable for me!

Hell, even the second track in -Aqua Blue Cameo had such a grand feel to it! It had a more methodically paced intro that makes you feel and soak into each instrument until it switches up on you and goes into a more boom-bap influenced structure with those heavy, raw, in-your-face drums, plucked keys, bass strings, and these wavy/echoing chord progressions that appear and re appear throughout the track that gave an interesting texture to the song!

So many fantastic songs on this album, but those are the ones that stood out to me most!

As far as Shottie goes, this man wouldn’t know how to miss if he was blindfolded at the opposite end of the court after being spun around! He would find a way to hit a clean three points into the net regardless.

This man has your favourite MC’s focused on what he’s doing; he’s got one of the most consistent and unique presences about him as well as having the perfect portfolio of skills.

-Charisma: his man on every verse he spits (for his own or otherwise) has stood out as the feature of the night because of the aura and energy he brings! His passion, his specific way of pronouncing words, his enunciations, his one-of-a-kind studio behaviour makes him someone recognisable after just a few bars in! 

-Lyricism: whether he’s in storytelling mood, street poetry, or just brash, flexing bars, he’s mastered all the lanes. He finds a way to captivate the audience with his ridiculous rhythm, his smooth and crisp flow, as well as his poisonous approach to his bars that seeps into the instrumentals until he takes it over!

Across this tape specifically, it feels like I’m transported into every single fabric of his lines from the personal ones to the situations he’s setting up! 

-Chemistry: Although you see so many albums these days that flood their records with a party of features that don’t have much substance or appeal besides having features for features sake. But Shottie has the ability to collaborate and mesh with absolutely anyone who he shares a song with and no more is that true then on here! 

Considering the verbal monsters he has with him, a lesser man can be assumed to fail or get overwhelmed but not Shottie, he not only established phenomenal synchronicity with the men but works with them to further up the energy and enjoyability of the record as a whole!

Once again, Shottie proves to me why he’s a kingpin in the underground and has been for years, I’ve never heard a bad verse from him yet and I didn’t start now. From the larger than life production to the features at hand. This one is one for the record books! 

https://open.spotify.com/album/3A1Ugmsji5KPBQzb0R4Q8h?si=RGSAu4wgQC2yda4eEzApfA

(FLY DOMINICANS)

Well, this is the first single review I’ll be doing for a man that I had a lot of experience with in 2025. A man who had one of the biggest glow-ups I’ve ever seen! A man who I have no doubt that this year he’s going to kill it as well!

On this track, he’s back with a producer he’s already worked with and provided his undeniably strong chemistry, so as they return, let’s talk about this brand-new single and why it’s a BANGER!

This is the latest single by MC FLYG and Producer Dominican Kev, and together they drop a solid two minutes and 36 seconds of content that is next-level smooth. 

I want to start with FLYG; it’s always a spectacle and a half to hear him rap on a verse, and today is no different!

So, on this song, we hear him back on his slow and methodically pleasing vibe (the version of him I like best). 

On this song, we hear him open up his ever-expansive bag of one-liners to include lines such as: 

– Diddy was on trial for a minute, trying to beat the case/I guess it is what it is, Killa and Mase/Flip a coin to choose your face/like two face.

Or 

– Snap my fingers like Thanos/Make you disappear with the Blip/Peace to skip I’m not done emptying this lyrical clip. 

Those are just two of many dope lines across this track that continue to prove (even in the new year) that the skill, momentum, and evolution of this man is untouchable, and on top of all that, you add in his smooth flow and rhythm, his precise enunciations, and impeccable wordplay, and you have a recipe for the perfect MC!

To accompany such feats, we have none other than Dominican Kev. A relatively newer producer who has been making waves on my end as a beatmaker with incredible potential, and this song further proves that notion.

Across this song, we have a light, soulful track that’s equal parts brilliant, smooth, and minimal! 

We have this predominant vocal loop that runs in two different parts throughout the track, one having the man’s singing and the other having his end of the words loop! Two dope vocal layers that fit this track well!

As well as this, we have these beautiful flute harmonies, glistening keys, and some deep bass that wraps this whole track together into an atmospheric track of epic, smooth proportions!

This is the kind of beat I could listen to for an hour straight and never get sick of! It has just enough content to make it memorable, and the light layers it does have are executed in a masterful and technical manner that proves my optimism towards this man!

Another dope duo track by these men, once again incredible synchronicity, and hopefully, we get more from them in the near future!

https://open.spotify.com/track/6j7K1XfsQGrfss2all8p1R?si=w1i3BWisTKSykwggZauhiQ

(Wannabe Frenz)

Alright, I’m calling it now. Johnny Slash has my new favourite producer tag! Every time I hear it, I get hyped. As I said regarding his last single, this man has been on a roll unlike many others! He’s worked with an array of different artists, and now he’s back with a few familiar names to prove his worth once again! Let’s fucking go! HERE’S JOHNNY! 

This is the brand-new single by the mentioned producer as well as MC’s Coast LoCastro and Little Vic! With these two verbal titans on the cut, they turn this three minutes and twenty seconds into a hip-hop massacre of epic proportions! 

Let’s talk about the rapping. As I should have expected when these two are on the mic, there’s no chance of a mediocre verse, just flames all around! Starting things off, Coast Lo Castro brings back to the fourth his trademark gritty exterior and attitude with his in-your-face bars, his tough mentality, and his brash/street poetry that’s equal parts powerful and sharp! 

Whenever he’s on the track, he brings to life that bully rap style where he’ll take your head off it if you’re not careful!

He’s cold, smooth, and possesses one of the best pen games in the industry right now!

A lot of that can be said about Little Vic! This man doesn’t play around either!

What makes him unique is his expressive voice and animated performances where you can feel every single word and bar he spits. He puts so much emotion and emphasis on the way he pronounces his words to the point it sounds cinematic!

He’s a name and style that will be etched into your brain with just one listen. His out-there, colourful, and outgoing demeanour paired with his complex and gritty lyricism makes him one of the biggest threats in the culture (alongside Coast).

Both these men have the opportunity to be on a JOHNNY SLASH production, which is just the cherry on top of the cake. Why? Because this man has consistently been giving us bangers after bangers non-stop! He’s a titan!

Across this track, we get ourselves a trademark underground hip hop blueprint with those sticky keys on rotation, those methodical drums, heavy bass, as well as these swaying chords in the chorus aspect of the track!

There are also those various sound adlibs from blade swinging sounds, random voice snippets, explosion sounds, and more!

He understands the calibre of artists on this track and the best way to utilise them best, and that’s why this production is tailor-made for these beats to go off on!

Trust me, this isn’t the kind of track you want to ignore or sleep on! Two dominant MC’s paired with a powerhouse producer! Instead of trying to be a ‘wannabe friend’, why not be a real supporter and check it out now!

https://open.spotify.com/album/2Xjs0u14wkBYT2YpJIofcW?si=y0N5QbyURJGmrrbFTyKTUg

(Fuck ICE)

Look, I’ll be fully transparent here. As someone who lives in Australia as well as someone who doesn’t follow politics outside of what my favourite podcasts talk about, I really can’t claim to be on any side here. 

But in saying that, I can’t ignore such a heavy topic track like this. In the same breath of me being drawn to such tracks as ‘Fuck The Police’ or ‘Fuck Donald Trump’, this one is surely proper sonic fuel for the ever-growing fire that is the ‘ICE’ department, and in saying that, let’s get into what will be undoubtedly the hardest, politically charged song of the year!

This fiery song is created by MC G-Fam Black and produced by Crack Sizzlack, and together they release two minutes and five seconds of pure, unadulterated, and unapologetic bombshells directly targeting the ‘U.S. Immigration and Customs Enforcement’ in the most ruthless way imagined!

Starting with the production, we have Crack taking all caution out the window with this one as we see him throw around those glossy, intricate keys on that repetitive loop, accompanied by those heavy-handed synth chords and bass strings and the most skeletal of drums! 

This beat wasn’t designed to be flashy or over-the-top, just right to the point and in your face (to match the lyrical concepts and themes). It’s appropriately theatrical and powerful to try and match the verbal assault that comes with G Fam and his direct message to ICE!

This is less a song and more a declaration of war towards them. It’s him venting his frustrations and anger at the recent events (it seems this one is specifically about that woman who got shot while driving), as at the end, her name is mentioned in a ‘R.I.P.’ post, but undoubtedly this verse comes fuelled by many other actions by the group, and he’s done saying silent on the matter, and he decided now was the time for action.

If you thought he was aggressive and untamed before, well, this is that next-level shit. He’s on a lyrical tyrant with sharp bars, clear-cut and direct messages, and an emotional state so raw and shattered that (to quote Public Enemy) it would take a nation of millions to hold him down.

If there was anyone out there who was going to make this song, it makes sense to be G-Fam. His music is gargantuan as default, add in a cause? And you have an unstoppable wildfire that won’t be put out any time soon with water or ICE.

So, if you’re someone like me, unaffiliated by the events in the US. This is still a dope, representative song inspired by grief and told by fury! 

If you are anti-ICE, then of course this will be your hip-hop anthem or 2026! And to the rest of the world, just shut up and enjoy a dope as fuck cut from one of the dopest out! Check the link below! 

https://open.spotify.com/album/52MTW8OGGs88rzvVe0ruh1?si=aS-7HLZvSeWtiQu5zgIrZA

(Apotheosis)

I gotta admit, when I first saw this duo on an album, I had so many questions. ‘Is this a duo producer record?’, ‘Is there a hidden rapper on here?’, ‘Did they both pick up rapping and this is somehow an A-Cappella record?’ 

Then it hit me like a ton of bricks. Lo is actually a MC! With that in mind, the idea of him rapping over this man’s production had me more excited by the second, so with that in mind, let’s talk about it!

This is the brand-new collaboration effort between MC Lo Katana and Producer YFI, and together they drop a solid 13 tracks that consist of the following:

-FLYG

-BlackMugen

-King Adroit

-Heartbreak Jodeci

-AU

-Cornerboi P

-Zarah Zion

And man, I can’t lie. It’s still a bit fresh to my ears to hear Lo on the mic! I spent the better part of 2025 hearing him on the beats, and then I still have drilled into my memory a hit sending me a voice message, and I realised he has a thick UK accent that blew me away! So hearing him rap is still an exciting new prospect to me, but damn can he do it well!

Across this tape, he converts all the same effort, energy, and efficiency he once put into production now onto the verses.

He’s surprisingly charismatic! He has a loud voice that he uses to pronounce his intentions and thoughts into the universe, and he has quite the technical skill, meaning on some songs we hear him unleash his overbearing cadence and aura with straightforward verbal mannerisms and bars!

On other songs, we hear him go more complex and utilise fast-paced verses with lots of words packed into one song with crazy one-liners, puns, and phrases to keep the mind spinning! 

To me, it feels like he’s got that young man’s fresh energy. That same optimistic attitude when you first get into something and you feel on top of the world, untouchable! When you are in the ‘honeymoon’ stage with whatever it is you’re doing! That’s the unbleached, raw, and rugged performance I’m getting from him, which speaks volumes to his skills, musical passion, and conviction!

Also what’s impressive is the fact he can have banging chemistry with the best of them! I’ve covered most of the features here and they ain’t easy to keep up with but to Lo, it ain’t nothing but a normal day in the studio! Impressive for sure!

He’s one hell of an MC. I feel if he continues to focus on his rapping, by the end of 2026 he could be an absolute monster in the field!

As far as the production goes, this is a man I’m definitely no stranger to! I’ve covered so many of his singles, albums, and he’s never been one to disappoint! He’s shown time and time again that he can work with anyone and make magic, and he’s doing the same here again!

Across this tape, we are getting the more atmospheric and ambient elements that we’ve seen him utilise over last year, but this time in a more concentrated manner as we get to feel the depths and layers he’s attached to each and every instrumental on this project!

This feels like his most cohesive score yet. You can feel the dedication, the effort put in, the emotion he poured into the music; it’s felt and embraced throughout the body. From the more soulful cuts as _CASSETTES&VHS or his more funky cuts like _SWORDOFDAMOCLES exert influence and variant is done with the utmost care and mastery that only he could pull off. Knowing the talent he has in his grasp, he made sure the instrumentals were themselves an extension of Lo and his associates, and because of that, each second feels like the perfect synchronicity instead of just a random bunch of tracks with no rhyme or reason! 

Considering this is 35 minutes, it honestly flies by. It’s because of the fluent motion and soundscape this man has set up. This is the type of album you will put on and get mentally lost in and have your imagination running wild as you enter a state of bliss until you’re released as the last second passes by. 

It’s crazy the amount of cohesion spread across this album. It goes beyond what you would (well, what I would expect) an album to have, and yet it feels personal and unique! It feels intimate and sacred, which is the level of respect for an album I love more than anything!

This is beyond the best way to start the year for both men. This is a STATEMENT, one that reads ‘don’t sleep on us’, and after hearing this one, I guarantee no one will again!

https://open.spotify.com/album/03ocv6ySbxp4NVIpSLfpo9?si=9Lcu4GsQTEOBIBafjJOjFA

(SMD)

Another year gone, another fantastic year to anticipate! After discovering this man around just before the middle of 2025, I can honestly say he’s surprised me with his technique, diversity, and overall strength in the field. Not to mention the fact that he’s both an MC and producer, which makes him more knowledgeable than most, and with this in mind, we are set to see just how he’s thinking of starting the new year (and I can tell you, it’s fucking dope).

This single is brought to us by double threat God Gotti, who once again is on the raps and production! Across this single, we get just over two minutes in what appears to be his more surreal and grittier drop we’ve gotten in a while!

Starting with that skeletal production, he comes through with this cold, heartless, and relentless instrumental that has these haunting piano keys as well as plucked bass strings that come with a super light drum pattern towards the end, and all of these limited layers work amazingly to structure an atmosphere of tension and doom! I wasn’t expecting God to take this route right off the bat, but I’m glad he did!

As far as the rapping goes, he hasn’t sounded better. He brings with him a crisp edge to his voice to complement the production; he’s matching the haunting and guttural sound with his own brash, brutal, and powerful performance that sounds absolutely compelling! 

He goes bar for bar, showcasing exactly why he’s been the one to look out for in recent years, and that energy and drive is presented 10x fold on top of this track!

I loved his confidence-borderline selfish attitude on this beat; he’s telling everyone around him and all his contemporaries that he’s not one to be slept on.  I love his line ‘bitch my name god, I ain’t never asking for forgiveness’ that’s the level of ice-cold bars you can expect across this two-minute track, and it’s one of the best single tracks I’ve heard from him yet!

So, what are you waiting for? Go peep the brand-new offering by the man today and feel the dominance! 

https://open.spotify.com/track/2nkSB3MzfuxraZaiYbmZUC?si=cxmW_VBhRD2Sf-Qx9lMmkw

(Griselda and Friends Vol. 1)

You’d have to be living under a very deep rock to not know who Griselda is. They arguably resurrected hip hop or at least the wide interest in it with a defying style that has since swept the culture and bred a brand new wave of artists and albums like that are inspired by what they created.

In saying that, we have a brand record featuring the members handled by one of the illest producers we have going right now, so let’s talk about it!

This is the brand new album by Produced Jamar Johnson, which is accompanied by the likes of 

– Westside Gunn

– 38 Spesh

– Benny the Butcher

– Conway the Machine

– Fuego Base

– Estee Nack

– OT the Real

– Boldy James

– Keisha Plumm

– El Camino

– Sule

– Che Noir

A true who’s who of names to accompany this phenomenon of instrumentals. Speaking of that, that’s where I want to start because Jamar ain’t no idiot; he understands when you’re working alongside these modern-day legends that you have to be at your very best game, and that’s exactly what he did by providing us with some of the most important, atmospheric, and cinematic content we’ve gotten so far in the year! 

Across these 11 tracks, we have this man encapsulate the characteristics of each man (and woman) involved and utilise their specific talents and skills to the distinct beats he produced! He wasn’t just throwing anyone on anything; he’s carefully calculated the production and who should be on it!

For example, let’s look at the track – Sin City. This track contains Griselda originals Benny & Conway, and on this song, we have a beautifully orchestrated minimal song featuring these angelically looped choir vocal choruses on top of some methodical drum patterns and some light bass and synchronised organ arrangements that pair with the vocals! 

This type of stripped-back layer beats is the definition of Griselda, the type of songs where both Benny and Conway go hardest on, and it’s evident by their verses on this specific song!

We can look at the track – LEAVEEMFROZE, which has this splash/boom Bap flavour mixed with the golden 90’s, with the utilisation of those cuts to create the perfect fusion of sound that fits to the tee with Estee’s versatile cadence and individualistic approach to the culture! 

On this song, we have a nice homepage to that old era with these delicate piano keys that are accompanied by some subtle hints of drums and light bass! 

That and those cuts combined puts one of the more smooth and lighthearted tracks on the record, one that is amplified 10x fold with Estee’s notorious vocals on top! 

We can even look at the track -100, which has the assistance of Boldy James and Keisha, and once again, this song is the perfect extension of the artiste involved, as we get a more sombre, serious, and introspective take on the production. If Jay-Z made the song cry, then Jamar made this song become self-aware and think about its life, mistakes, and failures.

On this track, we get this humbling vocal snippet that has a hint of sadness attached to it as well as power! 

We have these plucked chord progressions and super subtle drums! 

I can’t imagine anyone else more fitting to go off on this one than the two names provided above! Absolutely incredible chemistry.

As I stated at the start, when Jamar works on the production, he does more than make the music; he creates sonic replicas of the MC’s and their environments. God-tier work.

The quality of the roster speaks for itself; you’d be a fool to assume that any of these artists would ever take an L when they have been the ones contributing to the revival of the underground Hip Hop scene.

Each and every MC here has enough power, respect, and skill to dominate whatever lane they choose with impressive discographies to match. So what do you think would happen when they all come together under one roof? I’ll tell you what, a sonic renaissance! 

So, please. Make sure you go support Jamar and his work with these incredible artists. To gain access to this tape, find him on IG and DM him for the purchase of the record. I can be a witness and testify that it’s worth every dollar you spend! 

(One)

Once again, we are back with another single by a man who I’ve become more and more fond of in recent weeks, and with this being his most recent move in the studio, I had nothing but high hopes! Let’s talk about it!

This is the December 2025 release by MC Donny G and Produced by bizi beats! In this 2 minutes and 44 seconds, we see him back to his sentimental glory, straying away from his usual hardcore style and going for a more personal and emotional lane, and we’ve already seen he can pull it off, so there’s no reason he can’t kill it again!

And ‘kill it’ is exactly what happens both sonically and verbally. Sonically, what we have here is a more mellow and grand interpretation of boom-bap with those powerful jazz horns that combine with those violins that make for a true classical influence! 

On top of all that, there’s a collection of acoustic guitar and subtle keys that are all wrapped together with those drums!

There are actually quite a few layers going on in this one track! But again, he’s just proven whether it’s minimal or properly layered, he can handle and make any style pop! 

As far as the MC parts go, he’s never been as fluent as he is on this track! He doesn’t waste a single second on this song as he spits a long verse that’s filled with gritty personality, cold charisma, sharp lyricism, and an arrangement of brash puns and one-liners that prove his talent in spades! 

He’s got the smoothest flow I’ve heard him with in a minute, a captivating voice, and enough complexity in his words that he can rap about anything and everything and make it sound dope!

It’s crazy to me how much he’s able to fit into just pure singles. He’s adding in like a few tracks worth of bars into these tracks to overload the senses with technique and bars that could compete with the best of him! And considering he usually makes all his own beats, that makes him a double threat!

Make sure you give this track a listen! I guarantee you, you won’t be disappointed!

https://donnyghiphop.bandcamp.com/track/one