(THE ANOMALY EP)

It’s impossible to deny that Giallo Point has had quite the career in the past few years, working alongside some of the biggest names in the industry, such as Napoleon Da Legend and Estee Nack.

But now he’s here, working alongside a different underground star to create one of the best sounding EP’s in the game right now. Let’s talk about it!

So, this is a five-track project featuring Giallo Point and rapper NOWAAH THE FLOOD, and they are proving to be a more deadly threat than anyone could have thought.

Starting with the production, we have Giallo bringing to the forefront some of the most cinematically classical instrumentals we’ve heard all year! Each of the eight songs provides a beautifully sharp and theatrical score that has a strong opera feel to the presentation and execution.

If you could picture what boom bap x an orchestral ensemble would sound like, well, you have it now. With those long, piercing horns and notes radiating off the beat and into the ears and souls of the audience, it’s incredible.

With every new release, he showcases more precision, more focus on technique, and forming an engaging atmosphere that separates him from the others. He did that on ‘PAPITAS 2’, and that’s what he’s doing here as well! 

NOWAAH, the man with a presence larger than a group of rappers combined. He’s back to utilise these thrilling instrumentals and silence all the haters with his strong cadence, his timely flow, and lethal word game. When he speaks, it feels like a sonic kick to the chest! You feel that shit in your lungs and heart, you feel the adrenaline begin to spike, and your brain start to go haywire at the mere aura of this man.

He never ‘raps’ his bars; he commands them to existence, and they follow suit. He has one of the most cold and rough tones and delivery styles in the game, and he’s using every skill in his book across this project to remind everyone why he’s not someone to be slept on! 

This is the EP you don’t want to miss out on! Do so at your own risk! 

https://nowaahtheflood7.bandcamp.com/album/the-anomaly-ep

(So Legendary)

Man, what a treat, yeah? I mean, sure, old-timers release music all the time, but for most, it seems, whether it’s age or change in priorities, most of them are ass (unfortunately), but when you get the rare case like these guys coming together to provide you with that nostalgic feeling you’ve been craving from the golden days, then how can it be anything but a good day!

So, this is a collaboration effort between two legends. The first being the New Jersey-based trio ‘Lords Of The Underground’ with 

DoltAll/Mr Funke and DJ Lord Jazz, and they’ve been killing the game for over 30 years! That’s my whole fucking lifespan. Accompanying these men on the production are equally legendary and respected SNOWGOONS whose name speaks for themselves as they’ve been working with just about everyone in the game, period. 

But together, they come together for the sake of the vitality of the rap game, and boy do they deliver a SHOCK.

Let’s start with the production. Because this monster trio has spent almost 30 years working, grinding, sharpening, and cultivating their sounds until they reached the point of pure perfection, and that’s exactly what they are now! Especially across this project, they have made some of the most infectious and head-booming tunes you’ll hear all year. Not only are they methodically produced, but each song features a new and distinctive heartbeat and rhythm compared to the one that came before and after.

They’ve been able to craft a pulse for each song that beats in a different tone than the rest, from a larger-than-life atmosphere to glamorous and angelic notes and melodies to muddy and raw beat loops; they have everything in their bag of tricks, and each ‘trick’ has been worked on for almost 3 decades to the point where they couldn’t fall if they tried.

So, before listening to this, make sure you get ready for one of the most well-done and memorable scores of the year because I guarantee you it’s that good!

Now, onto the 30-year veterans. At this point in their careers and as they pointed out themselves on this album, ‘I’ve been together with them more than my own brothers,’ that kind of chemistry and synchronicity is something you can’t buy or fluke, and they have come to prove to the new generation what real talent and MC skills are, and boy is it an experience to witness.

Each man brings their own unique trademark flavour, filled with exquisite pen work, smooth as butter flow, and lyricism so sharp it could cut your head off if you aren’t prepared for the bars. 

They’ve come not to play games but to school the present-day landmark and teach how things should be done.

What’s mind-blowing to me is that in their efforts to ‘teach,’ they invited the biggest and baddest bullies of any era with ‘Onyx’ at the end! Let me tell you now, I don’t give a fuck what generation you rep in this game; no one, AND I MEAN NO ONE, is dumb enough to fuck with Onyx, and they know that! They are invited not only for their dope bars and legendary status but also for their black sheep aura that they’ve carried through their own 30-year career, and I couldn’t think of a better collaboration if I tried.

So, if you’re looking for a classic era type album by classic artists but actually done well? Then you can’t go wrong with THIS. This is the new standard to go by! 

https://open.spotify.com/album/43FJMfqppHEKvy7eta260d?si=dWshEav-SguwZ9VDh439qw

(Best Case Scenario)

It’s been a minute since I covered fellow Australian player Artwork Kennedy. He’s an interesting figure because with every new release he puts out, it comes with a different sound from the one before, and he’s doing it again with his third! So let’s talk about it!

So, this is an album written and produced by himself. He’s testing how much of a ‘one-man band’ he can truly be, and with that, he brings seven new tracks with just under 20 minutes of content to be shared.

Across this album, there are no features, just him and his limits of creativity. Even though this offering is short and sweet, the variety of sounds is staggering. Let me explain.

If I had to describe this new projection, it reminds me of ‘Vince Staples’ in the way that after leaving OF, we all thought he would follow Earl in the dark and moody venture of music but ends up surprising everyone by constantly switching up his style from electronic to G-funk to everything in between.

This is Artwork now! We went from gangsta-style rap in the ‘NEED MONEY FOR PORSCHE’, then game soundtrack vibes on ‘Auto Trigger’, and now he’s providing us with more funky/80’s synth pop vibrations with elements of Vapor Wave and Synth Wave.

There are hip-hop influences to be found in doses, but since he’s overdosing on so many other musical aspects on this one, it feels like the only main element keeping this record a ‘rap’ record is the verses by Artwork himself, similar to the heavily electronic songs on Vince’s album ‘Big Fish’, but regardless, it all sounds dope!

This album sounds like a fun time, sounds like the kind of record you’d want to dance and groove to too! (This next line could get me in hot water considering he’s Australian too), but this album has slight 360 ‘Falling and Flying’ vibes with the dance and pop tunes over the rap ones. I quite like those hit singles off that album for their catchy, mainstream, and infectious feel, and this album features a lot of the same energy in my opinion!

Now, as far as the rapping skills go. Once again he’s switched up his cadence and studio characteristics to fit this more variable sound palette, and he sounds good doing it!

He has a softer tone to his raps this time, with smoother flows that run like a river, providing layers of introspective lyricism and skilful pen work to really have his words stand out for all the right reasons!

He sounds as confident as ever on this project; he’s passionate, precise, and honest with his audience and intentions on this one, and I love that. All he’s doing is sharing his ideas and original concepts that only he can pull off!

In the past, I’ve heard him spit personal stories, real bars, bragging bars, and to hear him just rap for the sake of creative thinking and having a blast with it is such a heartfelt thing to hear and witness because I know he’s a solid dude, and the fact he’s in a position to be able to go on sonic adventures of this calibre, I’m nothing but proud and happy for the Kennedy!

If you’re looking for a project that’s interesting, refreshing, and beyond creative, then this is the one for you! 

https://open.spotify.com/album/5UhJtX7TdWfGVJqXw1q5s7?si=YRZvcMxDTsWeThqv96E_uw

(Acoustic Shadows)

Whenever Dead Perry is back on the case, then you know fire is coming, but on this occasion, even he outdid himself. Let’s talk about it!

So, this is the latest album by underground powerhouse producer Dead Perry, who has been the backbone of the culture for years now, providing quality material even during droughts when it seems talent was a desert wasteland. He was there, and today he’s decided to go all out by recruiting all the current S-Tier MC’s the business has right now! From the likes of: 

-J-Spliff

-Estee Nack

-Raze Fresco

-Daniel Son

-Hus Kinpin

-al divino

-CRIMEAPPLE

-P-Dirt

-DJ Eclipse

-ILL BILL

-Goretex

-Casual

-Planet Asia

-Da Flyy Hooligan

-Izrell 

And talking about the production. Anyone who is already familiar with DEAD knows he has a sick mind towards production, a sixth sense into the studio techniques, the precision, and creativity in turning every beat into some of the most grimy shit you’ve heard in your life, and this one is no exception.

Each instrumentation has its own level of harrowing and dark energy alongside muddy and gruesome boom bap atmosphere that squeezes the life out of anything in its surroundings and obscures all light until only ‘dirt’ remains. Sonic dirt that moulded his career, rewarding him with the skills to create the most deadly beats you can imagine.

Whether it’s high-strung and theatrical cuts or skeletal and rough, it’s all done in such a way you know you’re experiencing a Masterclass in production, and there’s no denying that. As depraved and raw as they might come out, very few (if any) can do it as well and to such a critical standard as he can! 

Talking about the men involved on this album, it’s clear to anyone with a pulse how this will turn out. Incredible (which is a severe understatement). 

Because you have all the main artists who have built their careers sharpening their bars on instrumentals exactly like these ones, the music of this influence made them notorious, so for them this is nothing more than another day in the studio, and they absolutely thrive in this environment.

They all bring out their best games. Each with surreal and deadly combinations of chemistry and individual bloodthirsty bars that could and do rival anyone else in the game right now. In fact, that’s a weird statement to make because they are the game right now, they are the ones everyone else is trying to compare to! So, of course, as the forefathers of this new generation, they never miss a step or a word. 

No surprise, a fucking incredible showing by everyone involved, and I just know we will get a mash-up of these names again sometime soon on a different project!

https://open.spotify.com/album/1cDeBROlbZBaxrPxodJlmR?si=ywte15W-R0elXVZrBvRxkg

(Drumless Terrorist Vol 1)

Looks like Here’s Johnny is now inheriting his ‘Mankind’ era of music. First, we heard his ‘Cactus Jack’, but now his other persona peeps his head, and this time it’s in the form of ‘Drumless Terrorist’, so let’s get into it!

This is a 16-minute and 39-second project with six tracks in total, all produced by ‘Gordirocho’, yet another name I’ve never heard of, and features the likes of: 

-Matt Mars

-Quazii D.Sol

Then a bonus track produced by CLAYHEAD, and this time around, it seems the production is way more experimental and ambient in nature, and of course, as the title suggests, ‘Drumless’ in structure. 

Every track has its own unique scent, taste, and sound. Whether we are talking about the opening track that had that grimy and sludgy Boom Bap type production to it or the track after which has a completely different sound, which reminds me of a broken video game level soundtrack that’s been busted and reverb-effected.

Or hell, the song right after even that one with those angelic horns that makes it sound like what I imagine angles coming down for the second coming of Christ would sound like to the world! 

This album has so many different inspirations and directions for a six-track playlist, and that’s the unprecedented unpredictability of Here’s Johnny and the affiliated names he chooses to work alongside, nothing he or they do is predictable, which always keeps everything from the verses to the production interesting at all times!

What’s funny to me is no matter how original and unique and genre-shifting he makes the instrumentals and production, when it comes to his own voice, you can always tell it’s him. He has a distinctive rough, almost shouting style of expression when he raps that it’s near impossible to mask, but regardless, he’s dope whenever he’s on the mic, so that stuff is irrelevant in the overall scheme of things!

Across this one, as per usual, he uses his intense, rough, and precise lyrical ability and penmanship to infiltrate the beat and pierce its exterior, planting his energy, passion, and ruthless aggression on the track until you’re left approaching his unquestionable aura.

The features on the track do well to add something new to the project and help synchronise with Johnny and create an atmosphere of friendly competition, which I always love to see.

Another dope album by Here’s Johnny and all his various aliases, and the producer gets a big shoutout for the dope work and the features too!  

https://youtu.be/0y38DHAVXMA?si=0ipvIR0j-EdfVPvm

(Mid Death Crisis)

It’s that exciting time of the year, a new Wednesday 13 album! The man/band I’ve been following for the past 17 years of my life and who I continue replaying in my adulthood, and they are now back and let’s get into it!

So, this one is 12 songs and 43 minutes in length, and right off the bat, you can tell with that haunting intro that this one will be ‘heavier’ than the others, bringing back the 2019 ‘Skeletons’ feel and inspiration with the leaning towards ‘Heavy Metal’ as a base more than the ‘Punk’ side of things, and of course, across the board, you have fans who share opinions on which era of Wednesday they prefer, but regardless, it’s his quality and consistent creativity in the ‘Horror Punk’ subgenre that we all gravitate towards and look forward to, and this release is no different!

Interestingly, this album features lead singer of Glam Metal band ‘Faster Pussycat’ on track 5, which offers an interesting switch of pace for the band’s signature sound! 

Aside from there, this project is a lot more methodical and surreal in its pacing. You can feel every guitar string, every thud of the drums, and when they kick off into a pattern, your whole body feels the rhythm and plays along!

There’s a track on here ‘Rotting Away’ which gives me a twist spin on ‘Bad Things’, with the lyrical matter feeling very similar, and just like the former track, has an anthem-like quality to it, which is badass!

Wednesday himself hasn’t lost a single touch since his 2022 album ‘Horrifier’. In the span of three years, he sounds as solid as he ever has. He could very well be a vampire who doesn’t age, which would honestly explain a lot about his longevity and career so far. He doesn’t look different from his days in ‘Frankenstein Drag Queens From Planet 13’ days, and he just seems to be getting better with age!

If I had to choose a favourite track, it would have to be ‘Decapitation’ for the sole reason that I’m an open-minded fan of his more punk-heavy releases, and this one fits the bill completely! Not to say the album is bad at all, but this one gets my gears going, and it has another strong anthem filled with a chorus I’m sure I’ll get weird looks for accidentally being caught lip-syncing the words under my breath.

Final verdict: this album is as expected BADASS. It delivers on all fronts with a mix of sounds for every type of Wednesday Era fan, and it’s another fun adventure from start to finish! 

https://open.spotify.com/album/4EEDPJLZsPukCYhPT3Hpyu?si=UecpLTQ6QfuYgHIL8urdXw

(Wrekless Art 2)

Time for the discovery of two new, fresh artists. I once again find myself discovering new artists, and with the acclaim and buzz they are getting on social media, I knew this was one I had to cover, and so let’s talk about it!

This is a collaboration album between rapper Mic Picasso and producer Sean Wrekless, and together they bring 17 tracks and over 40 minutes of content! Featuring the likes of: 

-Aida 

-Ja’king the Divine

-SageInfininite

-Ayo The Don

-True Cipher

-X-Yle

And starting with the production by Sean. The main thing that caught my attention was his ability to create a range of hypnotic, emotional, and surreal beats and loops that really capture the listener’s attention.

These don’t sound like your run-of-the-mill mainstream or underground beats, rather a collection of well-orchestrated sonic statements filled with intricate and skeletal but experimental at the same time.

I love the way he uses the basics to create magic. You can hear the grand keys and notes, the lavish chords and string progressions, as well as the mastery of technique to make every single song feel like it took 20 years to make! The elegance just radiates off it! 

He provides the production in full colour for Mic the Picasso to go off on, and in his bold expression of artsy sets, he sets the foundation for his whole record!

Now, onto Mic. The man who so boldly names himself after the iconic legend. But does the MC mic hold up? I’m going to say yes.

What is obvious from the first track is the fact that he’s bringing a combination of raw and gritty rhymes combined with artistically witty and introspective wordplay that brings out a dual side of him that showcases the equal parts ‘rough and rugged’ and ‘intelligent and deep’. 

When it comes to his techniques, there’s nothing to complain about; he has smooth and fluent flow, lethal and powerful wordplay with precise timing and rhythm, as well as a natural flair with his charisma, infectious energy, and passion for the game, which you can hear in every line!

Even working with his contemporary features, he still knows how to maintain his composure and stand strong as the main MC of the record, keeping the pace and aura of what got him to this point alive!

All in all, a fantastic display of chemistry between the artist, producer, and features, and I will definitely be on the lookout for these two in the future! 

https://open.spotify.com/album/1qQxKEnYteUUo91MBtvklt?si=pR0H9BW-RPWAuL8dWX1SuQ

(Spiritual Journey)

Knock Knock Knock*

(Door Opens)

Corban: My brother! What’s up, bro! So fucking psyched you can make it! 

;Am I at the right place? I received a secret RSVP for a 

-Serpent Tongue Award Ceremony, is this the right address?

: You damn right it is! Come on in! You were the last person to wait on, now we can officially start the process! 

(Corban Gets up on Stage)

Now. The reason I hand-picked each and every one of you here tonight is because you all are some of the most open-minded and honest music journalists and addicts in the game right now, and I have a secret project to unveil in front of your eyes, a piece of music so left-field and extraordinary that it will make you change the way you feel, think, and SEE music in the foreseeable future! By a man you all recognise for his tough, unforgiving beat structures who has decided to try a new lane, and trust me guys, after this, you’ll be pulling the trigger to your own sonic knowledge! 

We have, GRAPHWIZE (Yes, the same OG producer who you know most recently from Bub Styles and the works), but this time around, he’s working alongside a 

(A moment of silence falls across the room for suspense effect)

A FUCKING FASHION DESIGNER!! Can you fucking believe that shit! 

*Massive gasps and claps all around*

This five-track EP is unlike anything you’ve heard in your life. Come together by two minds of various art forms for your ears and mine. So what am I waiting for? Are you ready to hear the EP? Are you fucking ready to experience divinity? One, Two, Three AND IT’S LIVE

https://open.spotify.com/album/3KSO07IU76vd1KC5GewG2g?si=3NOiNYz7SVKqYXqruk6ToA

(Room is silent, in pure thought and reminiscent of transparency)

Corban: So, do we have any questions for the artist?

Man 1: Yes, I do. So, Graph, may I ask, what inspired the change in lane? And why?

Graph: Yeah, man, it’s been a trip in and a half. Don’t get me wrong, I still fuck with that grime/underground hip-hop shit hard. I won’t ever turn my back on that. It’s just I felt like I wanted something new, something fresh, and what’s more fitting to that answer than working with a fashion designer? 

Woman 1: May I ask, (love the EP first off) but what was it like working alongside VFOS and how does it compare to working with other ‘music artists in the industry?’

Graph: Solid question, thanks for that. So you gotta understand that for this sonic experience, we had to find a common ground between ‘fashion’ and ‘music’, and that’s not often mixed together to the extent we went. So I’ll admit it took a bit of back and forth, going back to the drawing board and discussing what works here and there and what he loved vs what I loved. And unlike two music heads who understood the industry, we are wired differently and have more ‘common ground’. 

But here, it takes a lot of open-minded thinking and understanding by both parties by default to make it work, and I gotta say, although tough at times, it was one of the most rewarding experiences I’ve done yet in my career.

Man 2: Final question, can you see yourself doing another expedition of this magnitude anytime soon?

Graph. Haha, I don’t know, man. I can’t guarantee anything yet as it was just freshly completed, and I do enjoy the end process of relaxing afterwards, but let’s just say ‘never say never’, man.

Corban: Well that’s the end of the special RSVP listening party. I told you, you’d never be the same afterwards! Make sure you keep updated with ‘The Serpent Tongue’ thank you to our guests Graph and VFOS and until next time. See you all fucking later

Serpent tongue OUT! 

(Culture Pop) Side B

It hasn’t even been 24 hours since I last reviewed a Penlordz project. Actually, the last time I spoke with the boys to send them my ‘INTRICATE DETAILS 2’ review, I said in that review at the end, ‘I guarantee this won’t be the last Penlordz review I’ll have to do this month alone,’ and then I found this in my new releases on Spotify. So let’s talk about it!

We have a sequel record from 2024, a Side B with Fam Ross and DJ Mello Rasheed. With production from Da Grand Hova and features eight new tracks with just under 20 minutes of content, with only one feature being the usual suspect, Audio Messiah.

Right off the bat with that opening track, we have what sounds like a spoken narrative by some strong preacher or someone with high authority speaking on race and ethnicity. It’s a strong way to start the album and brings a level of confidence and enthusiasm to the project going forward, and that’s where the album really starts!

The production on this thing is actually completely different than the album just 24 hours prior! Gone is that relaxing and harmonic sounds, and in are the more introspective, gritty, and expressive sounds that engineer a ‘strong-willed’ atmosphere to the record.

Across this one, the instruments themselves from the hip-hop beats, the piano keys, to the tribal instrumentation on tracks like ‘OOOHH BABY,’ all of it sounds alive, it sounds colourful and vibrant as if they are sentient beings that have the ability to come to life when being utilised or held. These boys literally breathe soul into the air and bring to tape some of the most exciting and vivid production we’ve had all year! This sounds less like an EP and more like a theatrical release right in front of my ears as I lie back, letting my imagination go wild!

When we get into Fam Ross, as just mentioned, he’s putting his ‘Rest mode’ bars to the side for the moment and reawakening his more awake and ready side of him with bars that feature more energy, intensity, and animation to his words that make him feel like he’s just taken a few energy drinks before the studio sessions!

He sounds the most lively than he has in a minute! You can hear his witty and slick bars; his braggadocios side is coming out a tad bit towards the end (which isn’t a bad thing) but a rare thing to hear from the Penlordz. I’m so used to them being the thinkers and analysis heavy MC’s so to hear them on their ‘we the best shit’ gotta admit is kind of mind-blowing! I love it.

His lyrics feature a level of grit to them, his swagger on a new dose of aura, and his flow is smooth and breezy; he ain’t here to be worried or concerned about anything or anyone; he’s just here to slap it in the face of the haters, just because he’s ‘Mr Nice Guy’. 9/10 doesn’t mean he won’t reveal that 1% and remind the game why he and the other Penlordz could take out anyone in the game if they wanted to!

Once again, another killer project. It’s insane that within 48 hours we can have two completely different sides of Fam Ross, and it’s that level of diversity that adds to their ever-growing list of achievements to keep them in the GOAT conversation! 

https://open.spotify.com/album/1vtDf4FPsdWXuSUc9CED8C?si=kp7M0N8_REyl3D_Oqf1AWA

(Grime & Glamour)

The last time we checked in, one Supreme Cerebral was back in January with his AOTY contender with ‘Son Of Hannibal’ featuring Swab. I don’t even remember if I wrote that under Raw Side Hip Hop or Serpent Tongue Reviews, but nevertheless, he made a strong statement early on and is back to shake up the industry again! So let’s talk about it!

So this time around, we have the collaboration of Supreme Cerebral and Macapella (someone who is new to me), but no doubt will be dope as they release a collection of 11 songs with 32 minutes of run time. Featuring the likes of: 

-Hus Kingpin

-Jamil Honesty

-DJ TMB

-Ralphiiee Reese

-Yolanda Sargent

-Eloh Kush

And with this army of veterans behind him, he’s sure not to lose, and I can tell you now if his first 2025 instalment blew you away, then you ain’t ready for this one.

Let’s start with the production because what Macapella did that I honestly love is using such common and often used elements of Hip Hop like Grime and Boom Bap and somehow elevates them to a new cinematic and rich frequency that feels like a classical Hip Hop renaissance. 

I love his use of long and sharp chord progressions and crisp productions such as the opening track.

Or even how he utilises those angelic piano keys alongside that heavy bass beat to create this surreal atmosphere that makes the listener feel goosebumps all over their body and soul, and it legitimately makes you feel as if you’ve just gotten sober once the track is over! It’s that fucking powerful.

If I had to name my favourite beat on the album, it would have to be the song ‘Dart Gallery’, and it’s gorgeously done with the execution of female choir vocal loops, those synth-sounding chords in the background with that ruthless and crisp boom Bap beat that feels like a sonic punch in the face, and I love everything about it!

This album feels Dolby Atmos in quality; it feels as if they were able to sneak in cinema-level speakers into your headphones to listen to this one properly. I have quality headphones, but I’ve never heard an album sound this grand or clear on Spotify before. I can’t imagine how it must sound on Bandcamp, but I’m telling you this ain’t any normal album; based on just the sound mastery alone, this thing has to be the best-produced album of the year so far!

Supreme, the man of the half hour. He’s been a force to be reckoned with for years now, with the world watching him grow and sharpen his skills, and now across this project, he’s letting all his experience and passion shine out and showcase his best self. It’s a blessing to the fans but a nightmare to the other MC’s out there!

His trademark energetic and rough-around-the-edges vocal tones tremble across the beats, causing an earthquake with each word spit, blowing all the competition away with his tsunami-strong flow and burning the world around him with his fire pen game.

He’s one of those guys that just has that ‘it factor’ when rapping. The one of a generation MC where he speaks, and EVERYONE listens. He commands a room and makes sure the audience takes notice and doesn’t let go until he says what he came to say, and that’s why he’s commanded so much love and respect in the game because of these qualities! 

As mentioned, he’s coming with a group of lyrical killers who could easily storm through any and all competitions by themselves, but together they come and bring a level of excellence and power that we haven’t seen much of this year at all! They all brought their A game to match Cerebrals’ intensity and dynamic influence, and they do their best to match. 

To say this album is amazing is the understatement of the year. He came into 2025 with an AOTY contender, and once again, he follows suit with another AOTY. His chemistry with Macapella is one of the best we’ve seen yet!

https://open.spotify.com/album/44E0iaiO0LzC0xgyprgB37?si=6tyxiVadREi-6429TiJwfA